Archive for the 'motherhood' Category

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Stray Pets

An essay by Jody Keisner

 

Besides the frogs, fireflies, grasshoppers, and June bugs that my younger sister Debbie and I trapped in canning jars, my parents adopted seven cats, six dogs, three rabbits, two hamsters, one duck. And me. I had been adopted as a newborn, and Debbie was my parents’ biological child.  I don’t remember some dramatic moment when my parents told me they weren’t my first set of parents. It seems like I have always known. It wouldn’t have bothered me that I was another adoptee in the Keisner menagerie, except we moved to the country when I was nine, and the lives of most of our animals ended tragically. I wondered if I was next.

Our new home was on four acres in Louisville, Nebraska, a town with a population less than 2000. My bedroom faced a mowed front yard that led to dozens of dense trees. Unkempt pasture and the occasional cow bordered one side of our home, separated from us with barbed wire. The adjacent farmland gave us opportunities to stick our noses into trouble. One dog died from a gunshot wound inflicted by a half-blind farmer, one cat met death from a parasite living in cow pies, and a hamster was flattened under a truck. My mother swore an eagle plummeted from the sky to snatch a lap-dog from the snow. I found my rabbit stiff as a board one morning when I went to feed her, the death ruled a mystery. A furry gray and brown puppy we named Odie, who we liked to roll down the sides of a small hill, disappeared into the middle of the night just weeks after his birth in a cardboard box in our garage. Armed with flashlights and Dad, we walked all four acres. We never saw Odie again.

The cats that roamed our property were once kittens Mom had rescued from a farmer whose only other option was a potato sack and a lake. Our dogs were strays my father brought home from the railroad, beaten dogs that tucked tails between legs and wolfed down food in a few bites. Mom’s dog, Ladybug, was different. She had been handpicked and was our only inside pet; she slept on my parents’ bed instead of in the garage on a smelly blanket with the others. A blonde Pekinese Maltese who always had goo in the corner of her eyes, Ladybug followed Mom from room to room, her toenails clicking on the linoleum of the bathroom or kitchen floor while my mother cleaned. She tolerated my sister and me, lifting her pug nose in the air. She allowed us to briefly pet her before prancing through the house, searching for something more entertaining.

I worried about our pets’ bad luck. Was I a doomed stray that had wandered into our family? Or had I been carefully selected like Ladybug, meant for a life of luxury and coddling?  I wasn’t like Debbie, who always wanted to be around my mother, boiling the spaghetti noodles while Mom stirred sauce or cuddling with Mom and Ladybug on the couch, watching Little House on the Prairie. I preferred to be alone, reading books or exploring the neighboring land with one of the transient dogs.

One day, I studied my mother as she sat on the couch, folding laundry into a basket.  She bent awkwardly to avoid waking up Ladybug who lay curled in her lap. Even though she was only 37, half of Mom’s hair was completely gray.

“Your hair looks frosted,” I said. “Like you had it professionally done.” I knew what “frosted” hair was supposed to look like from seeing it on a magazine picture of Madonna. Mom wouldn’t let me listen to “Like a Virgin” on the radio. She claimed I was too young to know about such things, but I learned plenty from listening to the older boys up the road. The thought of my mother and Madonna sharing a hairstyle made me giggle.

“What can I say? I’m a natural beauty,” Mom said, continuing to fold the laundry.

Mom had never colored her once-black hair or even had it professionally styled. Her beauty routine consisted of a bar of Coast and Pert Plus: Shampoo and Conditioner in One. She sprayed her short “frosted” hair into a stiff, helmet shaped hairdo every morning with clouds of Aqua Net that burned my eyes and made everyone but her cough. Aqua Net was good for other things, too, and I sneaked it out from under the bathroom counter to spray bugs permanently onto the walls.

My hair was what Grandmother referred to as dirty dishwater blonde, but Debbie was a brunette, just like Mom had been when she was a child. I wondered what color of hair my other mother had.

“Why didn’t that lady want me?” I blurted.

Mom looked up at me, startled. She held a pair of Dad’s worn Wranglers, stiff from drying on the clothesline.

“Your biological mother?” she asked.

Ladybug licked her paw and yawned.

I nodded.

She set the jeans in the laundry basket by her feet and patted the couch. I sat a few inches away. 

Mom scooted close to me and hugged me hard. “You are my special gift. I chose you.”

I imagined a room full of rows of crying babies in baskets, displayed like puppies or flowers. I imagined Mom pointing to me and saying, “I want that one.” 

 “You asked me about her once before—when you were very young. I couldn’t believe a three-year old figured that out. That there was another mother,” Mom said, her eyes filling with tears, which didn’t alarm me because she was what Dad called “Sensitive.” Little House on the Prairie set her to boo-hooing, even when the episodes were reruns. Sometimes she choked up just from standing in our bedroom doorways after tucking us in, her hand on the light switch. “I just love you so much,” she’d say. “When you’re a mother you’ll understand.”

“You’re my Mom,” I said. I meant it. Mom was her name, but she wasn’t my only mother.

 

Thoughts about my adoption were mostly infrequent. The concept was abstract. Mom was there, in the flesh, every morning to pick out my clothes and make me scrambled eggs with flecks of ham. At bedtime, she weaved my freshly showered hair into dozens of tiny braids, so that I could have “permed” kinky hair like The Bangles. The process took hours, me complaining of a sensitive scalp the entire time. (In high school, friends would brush my hair into ponytails for track practice because I wouldn’t learn how until college—my mother did it at home!) She was, in my mind, proper—a proper mother.  Mom had worked her way up from bank teller to credit union manager all without a college degree and still quizzed me out of my history books and clipped my toe nails before sending me off to bed at night. She made sure our family attended Mass on Sunday, even Dad who sometimes fell asleep in the pew after working third shift at the railroad.

But by junior high, I started to find the idea of having another mother romantic. I spent hours on the couch with books and with my favorite band, Journey, who contributed the soundtrack to my life. Books offered me an exotic world of mothers, each one I imagined saying, “Pick me. Pick me.” I fantasized about what the other mother would be like. I imagined a beautiful and sad woman dressed in a white, flowing dress, like a character from Gone with the Wind. She would stand in an open door in a house surrounded by tall, swaying grass, watching the same sky as me, feeling the same breeze, wondering where I was. She hadn’t appeared to me, so I made her anything I wanted, a Choose Your Own Adventure mother, like the sci-fi books where I could determine the protagonist’s fate. Sometimes I envisioned the other mother as a horrible woman, unfit to raise a child: a slobbering alcoholic, a hallucinating lunatic, a slut, a bum, a madwoman ready to throw herself off the roof like Bertha in Jane Eyre.

I knew that someday I would meet the other mother and she would welcome me like my favorite Journey song, with “Open Arms.” I mostly kept this to myself, since my recent renewed interest in my adoption flustered Mom, who began claiming she had forgotten. “It doesn’t even enter my thoughts,” she said. But thoughts of my adoption had begun to enter mine all the time.

I learned from Mom that 31 days between my birth and adoption were unaccounted for. “But where was I?” I pestered. “Who took care of me then?”

“I don’t know, honey.” Mom, exasperated, ad-libbed: “Nuns? You were well cared for.”

“What about the eye infection I had when you got me? You said my eyes were a mess! I’ve had surgery on both of them because of it!”

I became certain that every shortcoming I had could be directly linked to those 31 lost days and that I had been irreparably harmed in some way. I read all the adoption books in Louisville’s small school library, many of which theorized that babies removed from their natural mothers never learned how to bond with anyone else. Another book informed me that adopted children would always fear rejection. Suddenly, every possible psychological affliction in the book seemed like it was describing me, although Mom was usually nearby to assure me how special I was.

“You saved my life,” she confided. Mom had lost three babies before they adopted me. “After those miscarriages, I thought I would die. Then you came along.” Her eyes were already misting.

Mom told me my adoption was a closed one, which meant that descriptions of my biological parents were sealed in a file until I turned 25. I decided that until then, I would become the daughter that my imaginary mother would want. I studied every night to earn straight A’s, ran track and played basketball after school (even though I was equally horrible at dribbling, passing, and shooting), stayed away from situations where classmates were sneaking beer and groping each other. The more perfect I became, the more my real mother would mourn giving me up (I didn’t think Mom was my fake mother,  but the word “real” popped into my head whenever I thought of the woman who gave birth to me).

 I often felt out of place, but every kid I knew felt the same way. Some of my friends were even envious. “God,” they’d say. “You’re so lucky. I hate my parents. I wish I had another set I could trade them in for.” My status allowed me to choose my family at whim. I told myself I was not related to Uncle Dean, who smoked pot behind Grandma’s garage during family reunions. I denied relation to a distant cousin, a woman Mom privately nicknamed Dirty Martha, who picked her scabs with grimy fingernails at the kitchen table. When, during our annual Fourth of July family get-togethers, a drunken uncle began hugging our female teenage cousins for too long, I just denied him, too.

Sometimes, though, my biological truth sprang suddenly and without my wanting it. One Christmas day, Mom and Dad, my sister, our cousins, aunts and uncles, and grandparents gathered in the living room before opening presents. A younger cousin and I looked at the new issue of Highlights, racing to see who could find the kitchen appliances and other out of place objects poorly hidden in the drawing of a tree. It had been the best part of the magazine when I was a child, but now I was too old for it. My grandmother on Mom’s side cleared her throat. She pointed at the school picture of my sister on the wall. “You know who that picture reminds me of?” Then she looked at Debbie. “You are your mother’s spitting image, child.” She laughed, pleased and everyone nodded at the unmistakable similarities: the same dainty smile, black hair, and ice blue eyes.  I suddenly found myself swimming in a crowd of faces, but I couldn’t find my nose, my eyes, or my hands anywhere. I felt like the toaster in the Highlights tree: Can you find the item that doesn’t belong?

Debbie had been born my parents’ natural child ten months after my adoption.

“Our miracle baby,” Mom said.

I looked at my younger sister, who sat grinning by our Christmas tree in her lace-hemmed dress, and I felt my otherness wallop me in the head.

 

As a teenager, I relished the feeling of belonging elsewhere, mostly because I found my own parents too strict, too familiar, and too annoying. I pretended I was an uncaught character in a Nancy Drew mystery novel and that my adoption made me mysterious. I passed hours rereading the few documents my parents had recently given me (the only papers available in a closed adoption): my health statistics at my birth, a line or two about the physical condition of my extended biological family, and a succinct paragraph of description about my birth mother. It was the later I was most interested in. “The biological mother was 19 years at the birth of the baby. She has blue eyes and light blonde hair. Her complexion was listed as fair and she is of German descent. She has had two years of college and her interests are artistically inclined.” I told my friends that I was German. My biological mother and I had the same color of hair. I thought she must be a magnificent painter, her canvas capturing what she instinctively knew I looked like. She would paint my hair dirty-dishwater blonde, like hers. I would smile in her paintings, but my eyes would be sad, the loss of each other a secret between the two of us. Sometimes, when we had a hip, urban-seeming substitute in art class, wearing paint splattered slacks, I was sure it was her!

Mom sat next to me on the couch when I called United Catholic Social Services. In a few weeks, I would move to Wayne, Nebraska, a small farming and manufacturing community, to attend classes at Wayne State College. I had told myself that before I moved, I would work up the nerve to make the call. My stomach lurched as I dialed.

A sympathetic sounding woman explained that because my adoption was closed, the state couldn’t release any information to me until I was 25, and even then, no names, only more paperwork.

“Your biological mother has to agree to meet you, honey.” Her delivering-bad-news voice was as soft as a pillow.

“Has she been in contact? I mean, has she asked how I’m doing?”

“Sweetie, it looks as if we’ve had no contact from her, but that’s to be expected. For some women, the entire process is just too overwhelming.”

“Oh.” I was heart sore. How could she not want to know about me? I looked down at what I was wearing—a Jordache T-shirt and tight jeans rolled into pink socks. Mom squeezed my leg. I felt ridiculous.

“But it looks as if your biological father has contacted us. He wanted to know that we placed you with a good family.”

I felt ambivalent towards him. I only wanted to meet my biological mother, the woman who had shared a heartbeat with me for nine months. I had a vision of her filling in where Mom left off. I imagined my birth mother and I would conduct serious talks about literature (Thanks to my American novel classes, I was already becoming a literature snob), boyfriends and sex, and the meaning of life. Mom read novels with cowboys pictured on the cover, told  me my father was the only man she had ever slept with (and only after their wedding) and she was raised Catholic, so she believed that life was a series of good deeds you performed to get into Heaven. I hoped my biological mother wouldn’t really be like a mother at all but more like a cool older sister.

“What now? Is there anything I can do? Can I write her a letter?” I had written her dozens of times, though each attempt frustrated me and eventually ended up in my wastepaper basket.

“Well, sure. You can mail it to us, and if she contacts our service, we’ll send it to her.”

It wasn’t much, but it was something. “Okay.” I set the phone in my lap.

“I’m happy for you,” Mom said, leaning in for a hug. “It’s just, I don’t think of you as being adopted.” Her eyes were welling.

“She doesn’t want to know me, anyway.” The phone receiver was warm in my hand. I held it tightly for a few minutes before setting it in its cradle.

 

Wadded up drafts of letters filled my trashcan, imperfect testimonies and explanations of how much I needed my biological mother. The letter I had sealed and stamped was also unsatisfactory, an overwrought story I called “The Motherless” about searching for faces in a crowd that looked like mine, finding none.  I used the same phrases one might use in a letter to a love obsession, except I kept everything in third person so my real mother wouldn’t see how fanatical I was: “thought of my mother day and night,” “wished my mother and I were near one another,” “not certain who I am without her.” I asked her if we could meet, but the Catholic Charities woman had warned me that she likely wouldn’t want to. I disagreed.  I imagined this other mother to be someone who couldn’t live without me, someone who would understand my teenage self in a way my parents couldn’t. She would never think it odd when I wrote melodramatic poetry or spent entire evenings lying in my bed feeling certain that nobody could feel the world’s pain as deeply as me. I would lie backwards on my bed, my feet draped over the headboard, and write sad sappy poetry that I signed “Clover” because of a four-leaf clover pressed in my dictionary on the page defining leprechaun.

When Mom tried to draw me into conversations like the kind we had when I was younger, when the two of us used to snuggle on the couch, I answered in one syllable words.  How was I? How was my day? Was anything on my mind? “I’m fine. I’m fine. I’m fine.” Leave me alone to be with my important imaginings. My parents were exasperated with the self-absorbed teenager I had become and showed me with a poster that read:  Teenagers, Leave Home While You Still Know Everything. I felt certain my birth mother would not only understand me, but find me a wise old soul full of fascinating insights into humanity. And she, unlike Mom, wouldn’t hang her nylon granny panties on the outdoor clothesline for visiting boys to see.

Amazingly, two weeks after I sent my letter, someone wrote me back. Claire Marie the letter was signed. The last name had been crossed out, just in case, I reasoned, she decided not to meet me and didn’t want a crazed lost child hunting her down. In calligraphy, Claire told me her parents had sent her to a Catholic hospital to give birth to me, a place where nuns had prayed for her forgiveness. My biological father, also a college student, moved to a different town before the pregnancy showed. He didn’t know Claire was pregnant until Catholic Charities contacted him, asking him to sign the adoption papers. Because of the silence Claire’s parents demanded, my birth became a secret that she kept through college and eventually from a husband and two young daughters.  “I will never regret my decision to have you,” she wrote. “Deep in my heart I know that you are beautiful and my contribution to this world.” She prayed and hoped that I was happy, healthy, and loved and wrote that these were gifts she couldn’t have given me then. The letter had a note of finality, of closure. She never mentioned the possibility of us meeting. I slept poorly that night, continually checking to see if the letter was still where I had tucked it under my pillow. My only proof of her existence, I was certain it would disappear.

 

The fall semester passed without Claire and me exchanging another letter. I didn’t forget about her, but she wasn’t exactly on my mind now that I had college classes, parties, and guys to obsess over.  One afternoon I was summoned to the dorm’s hallway phone. Over the past few months, my phone calls with Mom had become increasingly scarce. I felt annoyed at having to leave the dorm room full of laughing co-eds. I answered the phone with an exaggerated sigh, but it wasn’t Mom calling to ask if I was using my food plan and getting enough sleep. It was a woman from Catholic Charities.

“Would you like to meet your biological mother?” the woman asked.

Adrenaline shot through me. My ears started to buzz. “Yes, I want to meet her! What happens next? Have you already talked to my parents?”

 “Honey, you’re a legal adult. You can decide for yourself.”

I forgot. I wasn’t in high school with permission slips jammed into my backpack. I didn’t need to ask Mom before doing something.

“When do I meet her?” I asked; the words were surreal.

Without my ever having spoken with my biological mother on the phone, Catholic Charities acted as the mediator, planning a reunion at Riley’s, a local restaurant in Wayne. I felt like I was about to win a major writing prize or a state track medal (Other than a sixth grade Young Authors Award, I hadn’t won either).

At my request, Mom drove three hours to be with me, to meet the other mother and hold my hand. She picked me up at my dorm room. We drove in silence. My withdrawal into college life was hurting her feelings, yet here she was beside me, humming to an easy-listening radio station.

I stared at the fast food restaurants and the college kids bundled in their winter coats. I hoped meeting Claire would live up to my expectations. I felt a little guilty for so badly wanting another mother, in addition to the perfectly good one I already had. I pictured Mom plugging giant headphones—my sister and I called them her earmuffs—into her Sony stereo and sitting cross-legged on the floor, singing off key to Lionel Richie and Barry Manilow when she thought she was alone in the house, her hair matted down by the band of her earphones. Eyes closed, she swayed and cried when the music really moved her. Watching from the doorway, I muffled my laughter with my hand, but these stolen moments also made me feel safe. Mom would never hurt me. But the other mother might.

Riley’s moonlighted as a dance club on weekends. I had been there with my friends, usually after we drank bottles of Bud Light in my best friend’s dorm room or at one of the known party houses. By the time we arrived at Riley’s on those nights, hoping for someone to ask us to dance, the floor was packed with bodies swaying and grinding. Mom and I were meeting Claire in the restaurant, which was separated from the dance floor, but it was hard for me to dismiss the images of college students, dancing hip to hip, from my mind. I wondered if Claire and my biological father had ever danced, full of a yearning for each other that would produce a love child.  In my mind, a relationship was not worth having unless it was first full of pain. I cried hardest at the movie love stories where the couple had to overcome some self-inflicted misery in order to be together, like in Urban Cowboy when Sissy and Bud tried to make each other jealous because they weren’t mature enough to admit how they truly felt. Couples who made juvenile, passionate mistakes and risked losing each other understood my heart. I wondered if my biological father still loved Claire. How could he not?

Mom parked the car and looked at me. “Are you ready to see who’s behind the door?”

 “I’m ready,” I said. We got out of the car. I grabbed Mom’s arm before she could open the restaurant door.

“I can’t,” I said.  I started to cry.

“You’ve waited so long for this, Jody.” Mom wore one of her work outfits, a navy vest and matching slacks, navy flats. She wore a strand of pearls around her neck; she had even put on mascara and lipstick for the occasion, flare she only wore for funerals or weddings. Her hair had turned from its natural “frosted” look to all-white years ago. Mom suddenly looked older and frail, though I knew she and Dad were in the midst of a remodeling project, and she would carry two-by-fours and aim a nail gun. Mom was tough when she needed to be.

I pulled my winter coat up to my chin and withdrew my hands into my coat sleeves, though I had read in an article on body language that this gesture showed insecurity.

“I’m scared,” I said. What if she didn’t like me? I wanted Claire to be impressed. Didn’t she regret letting me go? Hadn’t I turned out well? I wanted her to think so, even though I felt nerdy. I was more comfortable with books than with college boys.

“We don’t have to go in,” Mom said. She was unusually calm and unemotional.

“No. I’m okay.” I wiped my nose on my coat sleeve. “I want this.”

I stood in the entrance and let my mother enter ahead of me. I could see empty tables. “This is a special meeting,” Mom had said when she called to make reservations. “Can we arrive a little before the restaurant opens?”

Mom saw her first, inhaled and turned to me. “She doesn’t look very much like you,” she said. It was a comment I would think about later, considering how much we looked alike. I felt as nervous as I used to at the start line during a high school track meet, when for a millisecond, I thought how much easier it would be to flee to the school bus. I took a deep breath and pushed past Mom into the restaurant where all of the tables sat empty except for one, where a fair-haired woman sat with a man. I knew who she was immediately. She stood. We were the exact same height. I walked over to her and hugged her stiffly without really looking at her. I didn’t want to cry again, so I went numb inside, a trick I learned to use when my first cat died.

Mom hugged Claire. Even though Claire was only a few years younger than Mom, she seemed like a child in her embrace. Mom patted Claire’s back before she sat down. I sat down between them.

“It’s so nice to finally meet you,” Mom said when no one else spoke.

I first stole glimpses of Claire’s face while Mom talked about the drive to Wayne. Just the tip of her nose. Then her eyelash, her eyebrow, the curve of her lips. I stared at her hands, which were visibly shaking. Her hair was reddish blonde. Claire wore city attire, a long form-fitting dress, black knee-high boots, hand-crafted jewelry. I was used to seeing my Mom and other Nebraska Moms in Midwestern mom attire: jeans with elastic waistband, oversized T-shirts with pictures of furry animals or a Huskers football logo, and dirty tennis shoes. Claire was an eccentric sort of pretty, more exotic than Mom and more attractive than me. I suddenly felt frumpy in my oversized sweater and jeans. The tanning salon near the campus sold dollar tans, and my face was unnaturally orange. With my inch-high hair sprayed bangs and winter fake-bake, I looked like every other college girl in Wayne. Ordinary. I was sure Claire would know it.

“This is Rick. My friend,” Claire said. “He’s here for moral support. I don’t know that I would have come without him.” Her voice surprised me. Unlike her shaky hands, it was sturdy and low, the way I imagined the matriarchs of my British Literature novels sounding.

“Jody, you can’t possibly imagine how happy Claire is to see you,” Rick said, “Or how much she has thought about you.” Rick’s voice was full of saliva. He spoke each word slowly. I stared at his thinning hair and his wide forehead. His glasses slipped down his greasy nose.

I had thought of meeting my other mother for years, rehearsing reunions in my head where years of experiences would finally be shared. I was unable to say any of those things. Unwilling to face possible rejection, I went mute. Mom filled our silence by presenting the best version of me, how I wrote for The Wayne Stater, my high GPA, the time I placed third in a cross-country meet, my braces in junior high and perfect teeth now. She left out the recent arguments we had been having about my college partying (in my freshman photo album, I held a beer in every picture). I was glad Mom was there to take the pressure off of me. While Mom talked, Claire remained silent and aloof. It surprised me that her demeanor seemed restrained, unlike the warmth of Mom’s.

“The two of you,” Rick said looking at Claire and then me, “just need to snuggle.” Rick reminded me of a salesman in a New Age Store. Everything out of his mouth was sappy and intrusive. I wondered if he had read my letters to Claire. I felt pathetic and needy. I hated him. Rick leaned across the table and put Claire’s hand on top of mine. We all looked at each other. Claire’s hand was cold and rigid. I slowly slid my hand out from under hers and fiddled with my napkin.

“I didn’t want to give you up,” Claire said. Mom looked surprised that Claire was addressing me. “My parents are Catholic. My mother, well, she thought it was so shameful for me to find myself with child. Out of wedlock.” She looked at Mom when she said this, and at Rick, who was smiling and nodding. Then she turned to me. “I didn’t know what else to do. Or how I would take care of you.”

I didn’t know anything about taking care of babies. I didn’t have a boyfriend. Having a child seemed like decades away.  I couldn’t relate to what Claire was telling me even though it was about me. So far the evening had been a conversation between my two mothers. I wanted to say something, but my words really needed to matter when I finally opened my mouth. Did Claire think I was insecure? When I looked at Rick, he winked.

“You and Claire need to spend time alone together,” Rick said. “In order to have those feelings, to really unearth them.” He leaned in towards me. The pores on his nose were enormous.

Mom shifted uncomfortably in her seat and cleared her throat.

“Did she have brown hair?” Claire asked.

“What?” The waiter had brought our salads and my mother had a speared baby carrot on her fork.

“The nurses wouldn’t let me see her. They didn’t even let me hold her.” I thought Claire might cry, but she sat straight up and regained her composure. “When I went down to the nursery, I saw this baby, with this beautiful brown hair. I felt something. I felt like it was my baby.”

Mom winced at Claire’s words: my baby.

“Was it her?” Claire asked.

“Yes.” Mom started whimpering. It amazed me she had lasted so long. “She had a head of brown hair. All of this hair.”

 ”Our hands look exactly alike,” I blurted. I’d often thought my hands looked like my father’s. It was a small way I looked like my adoptive family, but now I could see it wasn’t true.

Claire’s eyes met mine. “You remind me of your biological father. You look so much like him.” She placed her hand next to mine on the white linen tablecloth. I looked at our identical hands together. My pinky touched her thumb.

“It’s hard for me to look at you,” Claire said.

 

I knew Claire even less after meeting her. She wasn’t anything like I had imagined. We were still strangers, and it surprised me. I had expected we would have some instant, intuitive connection like a couple who fall in love at first sight. I wanted to see my friends so we could scrutinize everything Claire had said, like we did after first dates. Will she want to see me again?  Did she think I was smart? Pretty? What will she tell her friends about me? Why didn’t I talk more? My English professors could never shut me up, but tonight when it really counted, I just froze. I wanted to look at my hair sprayed bangs in a mirror to see if they looked stupid.

“It’s a lot to take in,” I said to Mom. We sat in her car outside of my dorm.

“If you want, call me tomorrow. We’ll talk about it.” Mom leaned across the car and hugged me. She was still belted in. When she pulled away from me, her face dissolved in tears.  “It’s just…” She rummaged in her purse for a wadded tissue. “I just think of you as my own.” Mom was driving back to Omaha, a total of six hours in the car for two hours of dinner. Her mascara was smeared from crying, and her lipstick had worn off during dinner.

It had hurt her to meet Claire. Claire was intriguing, and I wanted to know everything about her because I wanted insight into myself. I liked to imagine a fantasy mother and Mom liked to imagine she had given birth to me. Claire had ended both of our fantasies.

“I guess I’m Claire’s daughter now, too,” I said, but I didn’t really feel like anyone else’s daughter. I got out of the car.

“Yes, I guess so,” Mom said.

Mom lifted up a hand, wiped her eyes with a tissue and waved her signature wave. Debbie and I called it her ‘tootles’ wave: index finger, middle finger, ring finger. She left for home.

That night I lay awake in my twin bed, my roommate snoring in her twin bed across the room. I thought of all the clever things I didn’t say when I had met Claire. I replayed the night in my head with Wynonna Ryder as myself in the starring role of a sophisticated, beautiful, long-lost daughter and Claire as the gracious, loving long-lost mother. In my edited version, we hugged and cried and spoke years of emotions with our eyes.  We were a Lifetime movie. Mom was merely backdrop, the unremarkable but sturdy character who sets up the key lines. I had great hopes for how things might turn out for me and Claire. The next morning I called Mom to tell her all about them. She was in the middle of mixing a dish of dried cat food and milk for her newest drifter. I could hear the persistent “mew, mew, mew” in the background. Mom had named the fluffy white cat Snowball, a sign that she had opened her home to the small traveler and probably her lap.

Other than me, the longest living Keisner-stray—a mixed-breed dog with soulful brown eyes—was nearly ten years-old. None of the others, though, had made it longer than a handful of years.

 “Don’t get too attached to Snowball,” I teased Mom. “We both know your track record.”

 “I know,” Mom said. “I just can’t help myself. What if she doesn’t have anyone else to care for her?”

“She might have a family somewhere, wondering where she is,” I said. When Mom didn’t say anything, I added: “Maybe she’s been abandoned.”

“It just breaks my heart. That someone would abandon such a little thing.”

“I’m glad she has you,” I said.

“Me, too,” Mom said with a sniffle.

I couldn’t predict how the story would end: Snowball might wander off the next week and find the family she last lived with, she might meet an odd and early death, or she might stay with my mother until old cat-age. I was hoping for the latter. We were lucky to have my mother, the other strays and I, however we came to her, however long we stayed. 

 

 

Jody Keisner is a full-time writing instructor of the University of Nebraska-Omaha, a weight-lifter, and a Real Housewives junkie (the latter for academic reasons, of course). She lives with her husband and young daughter, Lily. She has publications in SNReview, Left Hand Waving, Women’s Studies, Third Coast, Studies in the Humanities, Modern English Teacher, and NEBRASKAland. She is busy on her first memoir, The Runaway Daughter.

 

Birds and Egs

Fiction by Don Kunz

Wendy awoke in the master bedroom of the restored Victorian on Prospect Street.  She lay listening to the lovebirds shredding newspaper in their cage next to the bay window and her husband making breakfast in their downstairs kitchen.  She stared at the ceiling.  The new light of an August morning had streamed through the stained glass to cover the cracked plaster with sky-blue and blood-red streaks resembling a child’s finger painting.  She thought of a shiny white egg the size of a marble.  She thought of nesting.  At almost five months she was definitely showing.  Beneath her flannel nightgown Wendy’s stomach was no longer flat and hard from years of abdominal crunches and five-mile runs along Blackstone Boulevard on the east side of Providence.  She heard Bill breaking eggs into a ceramic bowl, whisking them with a fork, pouring them spattering into the cast iron skillet.  The skillet had belonged to Wendy’s mother who had died of colon cancer on Valentine’s Day.  She remembered her mother’s distended belly rising beneath the sheet of her hospital deathbed and imagined she would look like that herself before she delivered in December.  Wendy found it disturbing that on the surface life and death should look so much alike.  She wished her mother had lived long enough to share the mysteries of pregnancy and childbirth with her, especially because this would be a Christmas baby, a miracle.  Then, Wendy smelled freshly brewed coffee and felt the familiar first wave of morning sickness.

Bill dropped four slices of whole wheat into the toaster then turned back to stir their eggs in the skillet.  He sang the chorus of a top-forty tune he remembered from his younger years, “Hang on Sloopy, Sloopy hang on.”  After a miscarriage during the second month of Wendy’s first pregnancy, this had become their theme song.  Bill could almost picture this second fetus adrift in amniotic fluid trying to find a grip on the uterine wall with its newly formed hands.  If Sloopy could just hang on, then, what?  Bill would be a father for the first time at age sixty-one.  At a time when his colleagues would be looking forward to retirement, Bill would be heating formula and planning his schedule around day care.  He was still not certain how to feel about that.  But he was trying to stay positive.  From the beginning of fertility treatments he had told himself that becoming a father would make him young again.  Bill wanted to believe that at seventy-five he would have a dark tan, ropy muscles, and lungs like a Sherpa.  He tried to imagine playing one-on-one basketball in the driveway, making a fade away jump shot against his taller teenage son while his retired colleagues across town shuffled about in walkers, dithering over long-term care policies and bingo schedules in nursing homes.  Bill turned into the hallway, carrying two full plates toward the dining room.  He paused at the foot of the stairs.  “Breakfast,” he hollered.  “Eggs and toast.  Breakfast for Wendy and Sloopy.”  No answer.  From the bathroom at the top of the stairs came the sound of his wife retching.  Bill walked slowly into the dining room and set the plates on the table.

Wendy rested her forehead on the forward edge of the white porcelain toilet bowl, reached up and flushed.  “Coming,” she hollered.  “I’m coming, for Christ’s sake!”  She heaved herself up and reached for the Aquafresh on the pedestal sink.  The bristles on her toothbrush were splayed out like the legs of an old dog trying to stay upright.  Her voice tumbled down the stairs toward Bill.  “I’m not too sure about Sloopy.  I may have barfed him up.  I couldn’t bear to look.”

Christmas baby or not she thought as she brushed her teeth, no one could call her the Virgin Wendy anymore; that’s for sure.  At work, Joe Early had christened her with that nickname when they were dating, because she was holding out on him.  She glanced into the speckled mirror over the sink.  She was foaming at the mouth.  Rabid bitch she thought.  She remembered snapping and growling at poor Joe, formerly her would-be lover, now barely a colleague.  Joe Early, one of four senior partners at Robinson, Bender, Early & Touché, Attorneys at Law had spent four months after his third divorce trying to get into her pants.  Back then she was in her fifth year at the firm and had wondered if giving into sexual intimacy would be a quid pro quo for making partner in the firm.  So Wendy, who hadn’t been a virgin since she was seventeen, decided to keep their relationship platonic as a test.  A week after the vote which made her a partner and head of the firm’s workman’s compensation division, Wendy dumped Joe when he tried to grope her in the small kitchen off the second-floor conference room at the end of the hall.  Mooning about with unrequited love was unprofessional but, nevertheless, flattering; feeling her up at work was not.

Wendy took a gulp of tap water, grimaced at the taste of chlorine, thought again about buying a filter for the tap, and rinsed her mouth but did not swallow.  She recalled she had not been able to read anything but embarrassment in Joe’s face, like when he had received a Victoria’s Secret Catalog at work.  She was hoping for disappointment.  She would have preferred epic heart break.  But Joe just blushed briefly.  Then he reached past her, poured himself a coffee (no sugar) and turned away.  She had been tempted to ask if he knew anything about sexual harassment statutes but decided not to rub it in.  Three weeks later Wendy had tried to imagine what Joe would think about her having intercourse with an economist she had met through a dating service.  At first it had amazed her, but later Wendy figured she was overdue.  At age thirty-seven having committed all her energy to marathon training and a seventy-hour workweek at the law firm, she decided it was time to stop acting like a cloistered nun.  What could she have told Joe if he had asked why him and not me, especially when Bill was almost twenty years older than either of them?  Bill just smelled right?  Wendy believed in the science of pheromones.  Now she was pregnant at forty, trying to believe in miracles.

Bill ascended the stairs wearing a red T-shirt, khaki slacks, and a denim apron that read, “If you laid all the economists end to end, they still couldn’t reach a conclusion.”  He shoved both hands into his front pockets beneath the apron and stared at Wendy in the bathroom mirror, admiring her brown eyes, perfectly oval face, and short auburn curls.  Bill watched Wendy wipe her mouth with the green guest towel.  “You were just kidding about Sloopy, right?  Because I’ve got his breakfast ready.  He needs to eat to hang on.”

Wendy brushed her fingertips across the dark circles beneath her eyes as if to erase them.  She wondered when she would see the glow that younger women seemed to get when they were pregnant.  Since marrying Bill three years earlier, she had wondered if starting a family this late was an unrealistic prospect.  Now she tried to push doubt aside.  She told herself it was like hitting the wall at mile eighteen in a marathon when the body had used up all its glycogen; if she kept pushing, she could do it.  And so could her husband she thought; he was a tough, old bird who looked and acted younger than his years.   Bill’s reflection appeared beside hers in the mirror, a square chiseled face with scar tissue around the eyes.  Wendy spoke to his image.  “I’ve got to believe this one’s got a grip.  This baby’s a keeper.”

Bill bowed his head, rested his chin lightly on Wendy’s shoulder, and wrapped his arms around her.  He wanted to hold on more tightly but feared he might break something.  “It had better be.  I don’t think there are many more where he came from.”

Wendy rotated inside the circle of Bill’s arms and gave him a peck on the cheek.  “Thanks for fixing breakfast.”  She wrinkled her nose.  “Oh, God.  I think I’m going to be sick again.”  She pushed Bill away, put both hands on her knees, and leaned over the toilet.  Her hands turned into fists as if she could fight off the nausea.  “Morning sickness is supposed to go away by the third month.  It’s too late for this.”

“It’s probably the damned eggs,” Bill said.  I should have fixed oatmeal.”

Wendy straightened up.  “Yeah, probably just the eggs.  But I ought to be able to keep something as simple as an egg down.  Eggs are supposed to be good for you.”

“Why don’t you save a step, leave the toilet seat up just in case?”

“Don’t be a damned pessimist!” she snapped.   “I refuse to be sick any more.  I’m going to take a seat at the table, and I’m going to finish everything you put on my plate.”

Wendy waited for Bill to get out of her way.  But he reached out and placed both hands on her belly.  His knuckles were heavy, thick, and scarred.  Sloopy wasn’t kicking.  Wendy reached up to brush toast crumbs from Bill’s lips.

 

That evening Wendy and Bill lay in bed with their heads propped up on pillows and watched a rerun of “The Best of Johnny Carson.”  Wendy was nibbling on soda crackers to settle her stomach.  Beneath the sheet Bill’s feet framed the screen on the twenty-one inch Sony at the foot of the bed.  When he forced his toes together, Johnny disappeared; when he let them flop to the side, Johnny reappeared.  Now Johnny was wearing a black velvet turban and holding an envelope to his forehead; he was playing the Great Carnac, solver of riddles.  The routine reminded Bill of “Jeopardy,” but every answer was a joke.  Johnny closed his eyes, furrowed his brow, and let the suspense build.  “Sis boom bah,” he proclaimed.  Then Johnny tore the end from the envelope and blew into it.  The envelope bellied out, Johnny extracted a piece of paper, unfolded it and read:  “What is the sound of a sheep exploding?”

Seated on the sofa to Johnny’s right, Ed McMahon burst into gales of hearty laughter.  “Yes, oh Great Carnac, The Magnificent.”

Bill brought his toes together and erased Johnny.  “Looks like we didn’t miss much the first time around.  If this is the best of Carson, I wouldn’t want to see the worst.”

“Oh, I don’t know,” Wendy said, “maybe that would be more entertaining.  You know, less scripted, more spontaneous.”

Bill moved his feet apart.  Johnny popped up on the screen again.  Bill wondered if that was true about being funny.  He thought it was true about sex.  Now that sex was a regular part of his life, he was relieved and grateful.  But it seemed less exciting.  He remembered the thrill of picking up chicks in bars and bookstores down city when he was fresh out of Providence College with a graduate degree in economics.  It had helped that he looked like a body builder, that he had trained in gyms from the age of thirteen, and that at seventeen he had become New England Welter-Weight Champion in the Golden Gloves.  Whenever some flighty woman in a bar reached up to trace the scar tissue beneath his left eye or paused to focus on his twice broken nose or asked about the callous on his knuckles, Bill knew he had her.  If he wanted her.  But after hitting forty-five, suddenly all the knockout women close to his age were taken.  On weekends he saw them in minivans driving their kids to the Roger Williams’ Park Zoo or swimming lessons at the Barrington Y.  By the time he was fifty, Bill had gotten used to going a year or more without getting lucky.  Eventually, he found the women in bars divided into two types:  Young and giggly or old and desperate.  They were either caught up in trivial details of undergraduate work or seething with anger about divorces.  They all were obsessive about gaining weight.  Inviting them out to dinner was like asking them to step into the ring.

In hindsight Bill knew his sexual exploits had been a crazy game, the worst-case scenario being AIDS.  Meanwhile the sexual climate had changed.  Pretending to love and to be loved by a stranger no longer seemed possible.  When he had stopped scoring regularly, he told himself that he was being prudent.  The newspapers were filled with cautionary tales:  Sexual harassment law suits filed against CEOs; college administrations issuing strict guidelines governing relations between students and faculty; a picture in the Providence Journal of the Rhode Island Supreme Court’s Chief Justice zipping up his pants while emerging from a liaison with a prostitute at Johnston motel.  At First Federal Trust, where Bill worked, sexual harassment training became mandatory, and officiously scripted dialog replaced flirting.   Being a lapsed New England Catholic, Bill diagnosed these symptoms as resurgent Puritanism.  Once again the culture seemed determined to take the fun out of sex by handing out scarlet “A’s, but this time around it would be to men for exploiting women in a rigged economy.  So, at fifty five, William Williams, now Chief Economist at First Federal with offices throughout New England, began to talk openly of looking for a wife and perhaps starting a family.  Bill’s male colleagues, who had been entertained by his earlier sexual exploits, were amused by his transformation.  Privately they began to refer to him as Bill Squared.

Bill found a wife two years later through a dating service called ForPlay, which operated out of a former fitness club and karate studio on Broadway.  It catered to athletes, arranging dates around workouts and sports—skiing, tennis, swimming, even swing dancing. This appealed to Bill.  As a boxer, he had done a lot of roadwork and weight training.  To stay youthful looking he had continued working out long after he stopped fighting.  So, when Bill read a feature article on dating services in the Providence Sunday Journal, he canceled his health club membership at Gold’s Gym on Bald Hill Road and signed up with ForPlay.  He liked their policy of no embarrassing interviews (“Well, after graduate school at NYU…”) or videotapes (“Hi—SMILE—my name is_______”) or newspaper ads (“SDWM loves walking on the beach, candlelit dinners, and stimulating conversation”).  ForPlay was just a chance to find a healthy mate.  In that way Bill met Wendy on a fun run, scrambling along Blackstone Boulevard on a Sunday afternoon in late April, passing five younger men to catch up to her because he liked what he saw from behind.  He was pleased she was a marathoner.  He wanted a woman who could go the distance.  They began to work out together—five mile runs and resistance training.  By the following January they were married.  She was thirty-seven and wanted children before it was too late.  Bill was fifty-eight and wanted to give Wendy anything that would make her love him.  Now at sixty-one he was trying to become a father.  And now Johnny Carson was razzing Doc Severson about his sportscoat looking like something a pimp would wear to an Easter egg hunt.  Johnny was saying “Where’s the hat with the Peacock feather?  What’s up, Doc?”  Ed McMahon was hysterical.  He cackled and hooted.  His head snapped back, then slumped between his knees as he fought to control his joy.  Finally Ed straightened up, wiped tears from his eyes and cut to a commercial for Tidy Bowl.

“Uh oh,” Wendy said.  “I’m bleeding.”

 

Wendy closed her eyes, leaned back in the passenger seat of their Saab station wagon, and pressed a supersize maxipad between her legs.  Bill drove through rain slick streets and swiped at the foggy windshield with a white towel.  The defroster had died several Sundays ago on their way to the United Church of Christ on Angell, and, although the car was still under warranty, they hadn’t found the time to get it to the dealer’s in Pawtucket yet.  Down Prospect and up Waterman there was almost no traffic.  But as Bill passed Hope, he realized that he was going the wrong direction from habit.  Accustomed to driving Wendy to the Ob-Gyn suite in Wayland Square for fertility treatments and monthly checkups, he had driven her away from the hospital not toward it.   There was no traffic, so he ran the light at Brooke, doubling back toward Hope, then Wickendon and the Point Street Bridge.  He checked his rearview mirror and listened for sirens.  The night was very dark.  Rain sluiced in the gutters and swept twigs and scraps of newspaper into storm sewers.  A Basset Hound frowned wrinkles as it lapped water from a puddle on the broken sidewalk under a streetlight.  The headlights cast small pale yellow pools on the pavement.  They reminded Bill of broken egg yolks.  As he passed beneath the freeway and approached Dudley, he could see the sickly green mercury vapor lights that marked the entrance to Women and Infant’s Hospital.  They made Bill want to vomit.  Hang on, Sloopy, Bill thought.  Hang on. 

The car felt like a cinderblock on wheels; he wondered if he was losing the steering as well as the defroster; Bill wrestled it into the space in front of the glass double doors marked EMERGENCY ROOM.  The asphalt was crosshatched with yellow lines, and a red neon sign read AMBULANCE ONLY.  Bill put on his hazard lights and leaned on the horn until he could see a blur of white coats and stethoscopes appear through the wavy path of the windshield wipers.  The Emergency Room doors burst open, and the water cascading off the roof broke all around them as EMTs pulled Wendy from the car, put her on a gurney, and wheeled her into the hospital with a blood pressure cuff already inflating around her left arm and Wendy holding up the blood soaked pad with her right hand and an EMT pressing Wendy’s hand back down against her crotch and hollering for her to just keep the pressure right on it.

Bill lowered his head to the steering wheel.  The windshield wipers thumped, thumped, thumped like an endless succession of barred doors closing.  Even with his eyes shut the sign’s red glow colored his thoughts.  Without this baby to keep him young, how could Wendy still love him?  He thought, who am I kidding?   I must have been dreaming!  For the first time he could picture himself alone, toothless, hooked up to an IV drip, lying in a nursing home like the one where he had visited his father when the old man was dying of heart trouble.  And like a split screen in a movie, he could see Wendy, seemingly ageless, standing in a navy blue power suit offering her summation to a jury.  This image dissolved into one of their two lovebirds, Anna and Fritz, stretching their clipped wings and singing to the mirror in their cage.  Tonight he knew Anna was sitting on the small white marble that he and Wendy had substituted for the real egg, which they had destroyed after reading about the mortality rate of lovebird chicks in captivity.  Bill imagined Anna and Fritz together now wrapped in silence and darkness by the night curtain.  Then his throat tightened and his eyes watered.  Bill shifted into reverse, backed out of the restricted area, and hunted for a place where he could park the Saab.

 

The voice came from behind the brilliant white light above her.  “Rate your pain on a scale of one to ten, ten being the worst pain you ever had.”

Wendy lay swaddled in a gray blanket on the sterile examination table inside the emergency-room cubicle.  Her feet were in stirrups, and a doctor was probing between her legs.  “Oh.  Two.  I think.  You know.  Like cramps, maybe.”

“When did the bleeding start?

“About twenty minutes ago.  We were watching Johnny Carson.  I felt this wetness between my legs.”

“Did you do anything strenuous today?  Lift anything?”

“No, I’ve cut way back on my running.  I stretched a little.  My husband and I had sex this morning after breakfast.  You think that could trigger it?”

“Did intercourse hurt?”

“No.  To tell you the truth, it felt terrific.  Better than usual.

“Good.  Just what Mother Nature intended.  That way, you’ll probably do it again.  If sexual activity isn’t painful, and it’s not too . . .ah . . . . athletic, it can actually be beneficial up until about the eighth month.  It usually keeps the parents happy, and if they’re happy. . .”

Wendy shifted on the examination table, recoiling from the pressure of the cold instruments against her pelvis.  The sanitary paper crinkled under her.  Her voice was suddenly husky.  “I lost the first one.  I don’t want to lose this one.”  She cleared her throat.  “I gave up biking.  And I’ll give up running altogether if I have to.  Just tell me.  I mean, I’ve cut back to six miles a week anyway, you know, like three two-mile runs?  And I swim laps when I can get to the pool at the Y.”

The doctor slipped Wendy’s feet from the stirrups and set them down gently.  She pulled Wendy’s green hospital Johnny down.  “It’s better to stay active if you can.  But walk, don’t run.  Swimming’s okay.  Most women know not to overdo.  However, the bleeding is a concern.  It isn’t just spotting.  On the other hand, it’s just about stopped now.”  The doctor turned off the examination light, and pulled her mask off.  “Some bleeding during early stage pregnancy is not uncommon.  But you’re, what now?  Four months?  Five?”

Wendy tried to blink away the dark spot in her eyes left by the examination light.  She could barely read the physician’s face, just making out a woman of about fifty in green scrubs, short blond hair protruding beneath a paper cap, no makeup.  “Almost five.”

The doctor nodded.  “Yeah, okay.  So, I want an ultrasound.  It won’t hurt anything, and it might tell us something.”

Wendy turned her head to follow the doctor as she edged around the foot of the examination table and held out a hand to help her sit up.  Wendy felt lightheaded.  “I’m not sure I want to know.”

Abruptly, the doctor crossed the cubicle, picked up a second blanket, returned, and draped it around Wendy’s shoulders.  “It’s always better to know.  That’s the only way we can help you have a healthy baby.  I think you’d be surprised how much the medical profession does know.  We’ve got so many options now.”  She glanced again at Wendy’s chart.  “Anyway, I’ll make sure this episode gets into your file so you can go over it with your regular Ob-Gyn, who is Dr. . . . ah . . .oh, looks you’ve got a whole team working on this.  A year and a half of fertility treatments with Wayland Gynecological Associates.  You’re in good hands.  Those guys have childbearing down to a science.”

“We’ll I’m forty, and I guess science got me this far.  But it seems more like a miracle.”

The doctor took a pen from her breast pocket and began writing on the patient chart.  She glanced up.  “Yeah.  We see those, too.  Now let’s get that ultrasound.”

 

Bill punched in the security code, shutting off the alarm system in their Prospect Street home.  He glanced at the darkened stairwell leading up to the master bedroom as he helped Wendy out of her wet raincoat.  He hung it up with his own double-breasted trench coat in the hall closet and shut the door.  He threw the keys down on the dining room table, pulled out an end chair, and collapsed into it.  “I’m beat,” he sighed.  “And I wasn’t even the one doing the bleeding.”

Wendy slipped up behind Bill and placed a large envelope on the table.  Then she bent and put her arms around his neck.  She kissed him on the ear.  “Oh, I don’t know.  You looked pretty white in the face.”  She straightened up and massaged his neck with both hands, digging her fingers in deep like a boxer’s corner man loosening him up for the next round.  His muscles were rigid.  Wendy sighed.  “You know what?”

Bill tipped his head back against Wendy’s belly, hoping to feel movement.  Instead he felt the rising and falling of her breath on the top of his head.  He wondered if he was getting a little bald.  The need to feel his son had become an ache too profound to be massaged away.  It made him weak.  He thought, give me a poke, kid.  Give me a kick in the head.  Your old man is out here waiting.  Finally, Bill grunted, “No, what?”

“I’m starving.  I wish Johnny Rockets up on Thayer Street were open.  I’d get a deluxe hamburger with lots of onions, French fries, a frosty chocolate malt.”

“Yeah, but it’s closed.  It’s, what?”  Bill looked at his Swiss Army watch; there was a Red Cross embossed beneath the numbers.  “A little after midnight.  Nothing’s open.  Nothing but emergency rooms and bars.”  He turned and looked up at Wendy.  “Is this an emergency?  I could pop some corn.”

“That sounds good.  Pop the good stuff, the Orville whatshisface.  The kind where all the kernels pop.  You know, no old maids.”

Bill heaved himself up and took Wendy’s hands in his.  He pushed fatigue aside, forcing himself to speak.  “There are always going to be a few lonely old maids,” he said.  “But you’re not going to be one of them.  I won’t let that happen.”

Wendy stood on her tiptoes and pressed her forehead against Bill’s.  She thought of a lovebird staring at its own reflection in a mirror.  “I know,” she said.  “But it’s not entirely up to you.  I don’t care how tough you are.  That’s too big a responsibility for anybody.  We can’t control everything.”

“So what do we do?”

“We hope.”

“What if we lose this one, too?”

“Cross that bridge when we come to it.”

“It might be too late for me.”

“It might be too late for both of us.”

“So what do we do?”

“What we can.  Let’s look at it one more time.”

Bill let go of Wendy, then, turned toward the table, and slid the grainy black and white image from its beige envelope as if he were the one giving birth.  There it was on the table.  Together they stood, heads bowed, staring at the 8 1/2 X 11 Polaroid enlargement of the ultrasound monitor.  It seemed like a miracle, this projecting sound through flesh and blood to create a shadowy image of more flesh and blood.  There was Sloopy, one hand clutching his umbilical cord, the other raised as if waving to his parents.  Bill’s voice was a hoarse whisper.  “I don’t know if he’s waving hello or goodbye.”

Wendy ran an index finger over the image of her son’s upraised hand, then turned to Bill.  “Damnit, don’t!  Don’t you dare do that to us!”  She paused, fighting for control.  “We’ve got to believe it’s hello.  If you love me, give me that much.”

Bill placed his hand on top of hers.  “Jesus, Wendy, it’s all about probabilities!  When I look at the numbers, it’s hard not to be pessimistic.”  He squeezed his wife’s hand.  “I do love you.  I love you no matter what.”

Wendy swallowed.  Her voice was hoarse.  “This is family were talking about now, not some abstraction.  This is as personal as it can get.  Both of us have got to believe we’re going to be parents.  Both, okay?  All I’ve seen of our son is this crummy looking Polaroid, and I already love him more than I’ve ever loved anything.”

Bill raised Wendy’s fist, unclenched it, and kissed the palm.  “Me, too.  I think we have to show him.  Let’s give him a sign.”  Slowly Bill went down on one knee at Wendy’s feet, like a boxer knocked halfway to the canvas and waiting for the count.  He began to hum “Hang on Sloopy, Sloopy, Hang on,” resting his face against her belly so that their son might hear.  Wendy joined in on the second chorus, singing the lyrics softly.  Over the sound of their voices they could hear the lovebirds in the darkness hanging over them.  Anna shredding more newspaper for the nest and Fritz pecking against the bars.

Don Kunz taught literature, creative writing, and film studies at the University of Rhode Island for 36 years.  His essays, poems, and short stories have appeared in over sixty literary journals.  Don has retired to Bend, Oregon, where he writes fiction and poetry, volunteers, studies Spanish, and is learning to play the Native American Flute.

After Pastor Barabbas Died

Ed. Note: This latest fiction, from Nigerian journalist Adetokunbo Abiola, is part of the Fertile Source’s commitment to publishing work by international writers. We’d like to invite writers from around the world to submit original and translated works to The Fertile Source.

Fiction by Adetokunbo Abiola

 

Pastor Barabbas, the man who made a vocation of providing Arigidi women with miracle babies, is dead. He died after a heart attack on the pulpit during a seven-day revival service titled “Get Your Miracle Baby Today.” He blew air into the face of Madam Veronica, sending her into a brief trance. He clutched his chest a few seconds after, slumped to the floor, and died.

Pandemonium broke out in the church. Many of the women ran to the door, shouting at the top of their voice. A few ‘prayer warriors’ gathered round Pastor Barabbas, praying, trying to cast out the demon attacking the ‘demon destroyer’. A few of the women chanted incantation near the pulpit, hoping to ward off the spell cast by witches and wizards, who had at last got the better of their enemy. But the efforts did not wake the man of God from the dead. 

Arigidi, a town partly surrounded by brooding hills, quivered with rage and grief, and not a small amount of apprehension. Pastor Barabbas was the hero of the people. He placed his hands on the brows of women, blew air into their faces, and they fell into a brief trance. They became pregnant a month later. He opened the pages of the bible, told the women to select a name in it, and prayed they should have a child having the qualities of the person they chose. Nine months later, they delivered such a baby. He gave single girls holy water, commanded them to gulp it down; and when they did, they got a husband. Pastor Barabbas had chased the demons, witches, and wizards from Arigidi. The town would never be the same with his death.

Women fainted and howled at his funeral, and their voices went as far as Ashigidi hills. Madam Veronica unwound her wrapper, threw it into his grave, and wanted to jump inside it; but someone held her. Many women brought their miracle babies, speaking to the dead Pastor Barabbas, asking him how they would protect their children now he was gone. Barren women said hope was lost with the demise of the pastor. Tears fell from the women, nearly creating a river in the town.

As he witnessed this, Papa Aturamumu, the Chairman Board of elders in the church and headmaster of one of the local schools, knew trouble brewed in the town. After the funeral ended, he saw Mama Benji, her eyes red with tears, stand by the door, carrying her baby. She gave birth to the boy three months earlier, but the baby was sickly. The doctors at the local clinic, not knowing the precise ailment, said the baby suffered from an ailment Papa Aturamumu could not pronounce. To prevent his death, Mama Benji brought her child to Pastor Barabbas for blessing and protection. Now the pastor was dead, Papa Aturamumu wondered what Mama Benji would do.

Turning, Papa Aturamumu looked into the church, saw his wife, and sighed. His wife would certainly pose problems with the pastor’s death. They had nine daughters, but Papa Aturamumu’s old mother wondered what he was doing with nine daughters. Was it not time he found a woman who would give him a son? Mama Aturamumu overheard the conversation and vowed to give birth to a son. To achieve this, she frequented the pastor’s home, anointed her body with holy oil, and asked him to persuade Papa Aturamumu they should try for a son. Her husband refused. Since the pastor died, Papa Aturamumu noted his wife’s paranoia for a son increased. He heard her asking her friend, Mama Benji, about the baby market in Lagos. Desperate women went to the place to purchase the children they wanted. Though his wife did not tell him she wanted to purchase a son from the market, Papa Aturamumu knew if she became too desperate she would do anything to get a son.

Sighing, he turned from his wife, looked behind him, and saw Madam Veronica. Though she had been married for fifteen years, she could not give birth to a child. Before she started visiting the pastor, she patronized native doctors, babalawos, for solutions to her problem. They made her sleep with as many as six mad men, Papa Aturamumu learned, yet she did not become pregnant. An irate mother-in-law chased her from her matrimonial home, and she was prevented from joining the women’s union so as not to infect others with her barrenness. What would she – and hundreds of other women – do when their last hope was dead?

Already, Aturamumu learned a few women had changed due to  the death of the miracle pastor. They took their new-born babies to other churches even for minor cold, seeking solutions. It was rumored many visited native doctors for concoctions making them pregnant. Other traveled out of town, visiting prophets reputed to have the ability of praying so women could have miracle babies.

Deep down, Papa Aturamumu did not believe it was possible for women to deliver miracle babies. Even though he believed in God, he was a skeptic who held onto his anti-miracle  ideas. But he knew members of the church believed in miracles. After many years of observation, he concluded it was food for their soul. The issue would come up when Barabbas successor was to be named. Aturamumu wondered what it would take him to revert his ideas and whether he could do so when installing a new miracle pastor.

Thinking about all this, Papa Aturamumu walked toward his home, located four hundred meters from the church. Papa Aturamumu did not usually go home after service but he needed to think. Besides, he had to attend a meeting of the church council at home. When he entered his sitting room, the members waited for him. Papa Aturamumu knew they wondered the next step now Pastor Barabbas, the ‘demon destroyer’, was dead and buried.

“The women would be most affected,” Papa Moni, the town banker, said. “And when they are affected, no one will have peace.”

During an earlier meeting, the members of the council debated what a post-Barabbas’s future held for church members. Men would no longer have the opportunity of haggling over tithes and offerings, and thanksgiving money would plunge because the congregation would fall. The number of women coming to Arigidi for miracle babies would reduce, and men would lack nubile girls to bed for babies. But it was their wives that troubled them. When Pastor Barabbas was alive, he satisfied their hunger for more and more babies. Now he was dead, and there were no more miracle babies, their eyes would stray to where they could find them. The men knew they would derail, just as women from surrounding towns derailed when they came to Arigidi for miracle babies. Serious problems loomed with the passage of Pastor Barabbas.

“We must begin the process of choosing a new pastor,” Papa Aturamumu said. “Our women are going astray.”

“How does the church choose a successor?” asked Papa Boluwade, a school teacher and the newest member of the board of elders. “Is it through seniority or hard work?”

Mama Olowomeye hesitated and then coughed. She was a dark complexioned woman who had a reputation for having a fertile imagination. She also frequented native doctors and other spiritualists in town. She would not have been made a council member but was for her contribution to harvest and thanksgiving fund.

“You become a pastor if you show signs of performing miracles,” she said, “or if a little black bird gives signal you can be one.” The women with her nodded with approval. Many of them knew this, and those who did not made mental note of it.

However, Mama Gbenga sighed and said, “A little black bird is said to give a signal. It names the person who will be pastor.” Silence fell in the room.

“But birds don’t talk,” Papa Boluwade said. 

“Nonsense!” said one middle-aged woman sitting beside him. “Birds talk everywhere. Come to my farm.”

“Can’t the process be made simpler?” Papa Boluwade looked doubtful. “Birds can’t talk.” 

“Come to my farm,” said another woman. “I’ll show you birds talking.” 

“My two-year old grandson says this every time. I’m always amused. And this talk about miracles. What …” 

Papa Aturamumu felt he should say something and he stood up. “Elders! Mothers!” he shouted, “People said Pastor Barabbas could perform miracles. To be honest, I don’t think Arigidi can be peaceful if women don’t have someone whom they think can  give them miracles.” Taking a deep breathe, he looked at Mama Olowomeye, who wanted to speak. “Yes, Elder Olowomeye, what do you want to say?” 

“I think we should pray,” Mama Olowomeye said. “We need to wait on the lord.”

“Wait on the lord when thunder wants to blow away our roofs?” Papa Aturamumu countered. “You must be joking.” The meeting ended without the elders reaching a compromise. That was two days ago.

As he now joined the discussion in his sitting-room, Papa Aturamumu knew no solution was in sight. After a long moment, one old man with rough beard called Papa Obayan hammered on the table and coughed. “Let’s do this thing like a team,” he said. “If we stand together we’ll find a successor to Pastor Barabbas.” The elders nodded their heads. Papa Obayan said no suggestion was ridiculous if it would lead to getting the next miracle pastor and bringing peace and stability to Arigidi. Some of the men nodded their heads at this and decided to use their heads to solve the problem. They agreed to make Papa Aturamumu’s sitting room their operational headquarters

They also agreed on a few other things. A little black bird must name the successor to Pastor Barabbas. If it called any assistant pastor’s name he became the new pastor. All assistant pastors stood the chance of replacing Barabbas. All board members of the church would monitor the assistant pastors. Every information would be brought back to Papa Aturamumu’s house for analysis. The facts would be debated and a decision would be reached about Barabbas’ successor. Any decision reached would be binding on all and would be forwarded to the congregation for ratification.

Since it was early May, the rains fell in the evening so all church elders stayed at home. Papa Aturamumu sat in his sitting room while his wife sat opposite him. She hinted she might go to Lagos to make some arrangements. Papa Aturamumu asked her what the arrangements were about, but she did not tell him, saying it was a woman’s business. He suspected she wanted to visit the baby market and make inquiries about how to purchase a boy. However, he did not bother to confront her since he knew she would deny it. The next day, however, sun bathed Arigidi, and the elders knew the search for a successor to Barabbas had started.

Papa Aturamumu was assigned to monitor an assistant pastor called Ijabiyi. Since Ijabiyi began duties at the church a year ago, Papa Aturamumu never attended his service because his head was long and shaped like a hammer. Rather than focus his attention on his sermons, Papa Aturamumu found himself staring at the head and wondering how one could have a hammer-shaped head. Consequently, he never made anything of Ijabiyi’s sermon or notice anything about him. On getting home after monitoring Ijabiyi’s sermon , he took his wife aside and asked her about her views on it. Did the women in the church like Ijabiyi’s preaching? Mama Aturamumu had been keeping malice with her husband for not giving accent to her Lagos visit. She saw his question as an opportunity to take revenge. “Old man,” she said, “Since when has women’s business become your business?” Not knowing how to answer her, Papa Aturamumu took his walking stick from the corner of the room and went out the house.

In the evening, he bought a finger of roasted banana and groundnut, her favorite snacks. Making sure she saw where he placed them on the center table, he asked her again whether women enjoyed Ijabiyi’s sermon in the afternoon. Softened by the sight of the banana and groundnut, his wife said in a harsh voice: “Ijabiyi cannot see vision. He cannot perform miracles. He’s not like Barabbas and Ifeoluwa.”  Nodding, Papa Aturamumu asked whether she saw any bird during the service. His wife nodded her head as though her suspicions had been confirmed. “I suspected something has been wrong with you these past few days,” she said. “Now I’m sure about it. Haven’t you always seen birds in the church?” She hissed, grabbed the banana and groundnut, and left the room. 

Papa Bolanle Mobolanle, a retired  clerk, rubbed his jaw, adjusted his ancient spectacles, and said: “If she saw a bird, what are we waiting for? Ijabiyi must be the man.”

Mama Olowomeye shook her head. “She saw a bird,” she told him. “She did not see a little black bird. It has to be a little black bird.”

The church elders began their work from there, monitoring the assistant pastors for their ability to perform miracles. They attended every sermon, questioned their wives, and looked for little black birds. As they did this, men also monitored their wives. Many of them attended services, but others took taxis and went to neighboring towns in search of pastors who could perform signs and wonders. These pastors were thought to be useful to women looking for the fruit of the womb. Papa Aturamumu watched his wife with growing concern. She wanted to travel to Ikare, a nearby town, to visit her family, but he forbade her. He suspected she wanted to travel to the baby market in Lagos.

Back in his sitting room a week later, the members of the council looked sad. Their search had yielded no lead. “We have to bring up new ideas to solve this problem,” Papa Aturamumu told them, tapping his walking stick on the table. “Women are no longer coming to service. Papa Moni, you were supposed to monitor Ifeoluwa. What did you observe?”

Papa Moni sat straight in his chair, pulled up the collar of his shirt, and shook his head. “I didn’t see any sign of miracle during his services,” he said.

“No little black bird?” Mama Olowomeye asked.

“Not even a single bird” The elders sighed. It would be difficult to find a replacement for Pastor Barabbas.

“How did the women react to Ifeoluwa?” he asked. “Will he be able to keep them in line?”

Papa Moni nodded, touched his collars, and came alive.

“I don’t see any problems here,” he said. “He’s good with women. I did see one of the choristers wink at him. It doesn’t mean he’ll take our wives, but that he’ll be able to communicate with them.” 

Papa Aturamumu frowned at the reference made to wives but persisted with his questions.

“Do you think he’ll ever develop the spirit to perform miracles?” he asked. 

“Thank you, Elder,” Papa Moni said. “I can say knowing whether he’ll be a miracle pastor is tricky. I’m not God, and I can’t tell the future. I know people say miracle pastors can be found through dreams, but I didn’t dream about him during the week. I thought I could define his character by the way we assess people in the bank. When people wear good shoes we feel they’re trustworthy and will build a good portfolio. But I don’t know whether we can judge miracle pastors by looking at what shoes they wear.” 

To prevent laughter, Papa Aturamumu wore a blank expression on his face.

“And what did you see when you looked at Ifeoluwa’s shoes?”

Papa Moni pulled at the collar of his shirt and looked at the elders.

“Elders, he has changed his shoes,” he said. “He used to wear old shoes, but he’s now wearing brand-new ones. Of course, I don’t know whether this can be used as a criterion to judge a future miracle pastor.” 

Papa Aturamumu was brusque.

“The fact he’s now wearing new shoes doesn’t mean a thing,” he said. “A devil can wear new shoes and claim to be a saint.” He looked at the other elders in room. “Any observations? Any miracles from the assistant pastors?” The elders stared at him, not saying anything because they did not witness any miracle or see the little black bird. Things were going from bad to worse, Papa Aturamumu thought, then said, “Many of our women are going to other towns in search of miracle babies and pastors. Others are thinking of going to the baby markets in Lagos. Husbands and wives are quarreling over babies everyday. Elders, Arigidi is in serious trouble.” He looked at the elders once more and shook his head with sadness.  “Are we saying we didn’t notice anything in the past one week? Are there no new ideas apart from the miracle ones?” Mama Olowomeye sighed and Papa Aturamumu recognized her. “Yes, Mama, what do you have to say?”

“I’m not quite sure what I want to say is right,” Mama Olowomeye began, “but I think the situation demands it.”

“What do you have to say?” Papa Aturamumu said.

“As you know, I was assigned to Arogundade,” Mama Olowomeye said, “but after I attended his service, I found out something very important.”

“What is it?”

“Well, no bird spoke during Arogundade’s service, and there were no signs of miracles. However, I met a friend after church who told me about a miracle prophet in Ibadan. He prophesies the future by simply looking into water put in a spiritual pot. After looking into the water, the prophet tells people what will happen in future. What babalowos cannot do this prophet can do it. Some women drink cow milk for nine months before they learn anything about their future. This prophet does the work in only five minutes, and his prophecy works. Some women sleep with toothless mad men for months so their future can be revealed. This prophet will do the same thing in three minutes. And his prophecy comes true. Everybody speaks well of him. I think we should consult him so he can tell us where we can find this little bird.”

The elders burst into cheers. Papa Moni stood up, crossed the room, and patted Mama Olowomeye on the head. Papa Bolanle shook her hand as though she won a lottery and solved the riddle confronting them.

Papa Aturamumu tapped the walking stick on the center table.

“Mama Olowomeye,” he said, “Did you get this information from the village native doctor?”

“If I did I wouldn’t have told anyone about it.”

Papa Aturamumu nodded, pleased. “This is a way forward,” he said. “Who can tell a miracle pastor better if not a miracle prophet.” The elders decided they would visit the miracle prophet. They selected Mama Olowomeye and Aturamumu for the journey. The miracle prophet would only be questioned about where the elders could find the little black bird. He would not be asked to divine Pastor Barabbas’s successor. That evening, the elders went to their various homes with the confidence they would find a new miracle pastor. The problems of Arigidi women would be solved.

The prophet’s church was a large hall surrounded by oil palm trees. Shacks built of wood stood in front of it. Members of the church wore red gowns and walked about in white shoes. Men and women sat on white plastic chairs and waited for the prophet. A thick scent of incense hung in the air.

After waiting for two hours, a male usher took Papa Aturamumu and Mama Olowomeye to the presence of the prophet, commanding them to prostrate on the ground. After he was briefed about the purpose of their mission, the prophet took them to a pot placed at the corner of the room. Its water was black and still. The prophet began to chant incantations and dance. Spraying incense to the four corners of the room, he pranced about the place. Finally, he stopped and told his visitors to look into the pot. The water in it swirled and looked green.

“Can’t you see the bushes?” the prophet asked.

Papa Aturamumu did not see anything but said he could. “Yes, yes, I can see it.”

The prophet looked at Mama Olowomeye. “And can you see the hills?” he asked.

Mama Olowomeye did not see any hill but said she could.

“The little black bird would appear next tomorrow by the bush behind the hill beside the church,” the prophet pronounced.

The elders stayed by the bush behind the hill beside the church on the appointed day but no little black bird appeared. Angry, Papa Aturamumu said Mama Olowomeye must have got her information about the prophet from the village native doctor. Papa Moni said the church must screen out people who patronized soothsayers when it wanted to appoint new council members.

Meanwhile, the women continued to travel out of town in search of miracle pastors and babies. Husbands quarreled with their over the incessant journeys. Mama Aturamumu quarreled with her husband for not wanting a tenth baby and preventing her journey to Lagos. On Monday, while Papa Aturamumu strolled to the church to monitor, once again, Assistant Pastor Ijabiyi, he saw people trooping to the street as though a spectacle had occurred. Men, women, and children spoke in an animated manner. Something strange had happened in the town and Papa Aturamumu wondered what it was.

However, he considered it bad manners to poke his nose into matters that did not concern him, so he continued his stroll toward the church. But he noticed women in the throng were in a jubilant mood. He had not seen them looking so bright since Pastor Barabbas, the miracle baby pastor, died a few weeks ago. Intrigued now, he stopped and looked at them.

The women, with big smiles planted on their faces, headed for an orchard of mango trees standing beside the church premises. Many backed their children, while others held the hands of their sons and daughters and moved into the orchard. They walked as though they could hardly wait to discover the secret awaiting them beside the church. They shouted and clapped their hands.

Following them, Papa Aturamumu entered the orchard. He saw women and children looking at a giant mango tree in the center of the orchard. Some of the women brought chairs and sat on them, while others stood under the tree. Flies buzzed in the enclosure, and the air was hot.

Papa Aturamumu noticed his wife standing twenty meters in front of him. She folded her arms across her breasts and stood next to Mama Benji. They spoke to each other in whispers, then clapped their hands as their eyes riveted to the top of the tree. As he watched them, he noticed a stir rise in the crowd , and everyone looked at the branches of the mango tree. Papa Aturamumu saw disappointment on their faces a moment later as they moaned. 

Now completely interested in discovering the reason for the big crowd, Papa Aturamumu inched his way toward his wife. He stood a few meters from her so he could hear what she said without arousing her attention.

“Yes,” Mama Aturamumu said, “I’m sure it’ll appear again.” 

“Now you mention it,” said Mama Benji, “the church elders should hear about it. Miracles like this don’t happen every time.” 

“Didn’t the boy say the bird called an assistant pastor’s name?” Mama Aturamumu asked. 

“He said so,” Mama Benji said. “He said he had been going to pluck mango from the tree. The little black bird perched on the branch with the mango. The boy said the bird started speaking to him, calling a name. The boy said he was so frightened he almost jumped down the tree.”

“Where’s the boy?” 

Mama Benjo pointed at a scrawny looking boy sitting on a tread-bare mat a few meters away. Papa Aturamumu sighed, pushed two women standing in his way to a side, and marched to the boy. He was one of the boys Papa Aturamumu chased from the orchard with a stick anytime he came to steal mango. He bent down to his haunches and stared at the boy.

“Did you say you saw a little black bird on that mango tree?” he asked.

The boy was too frightened to speak.

“Don’t worry,” Papa Aturamumu told him. “I won’t beat you for trying to steal our mango. I just want to know what happened. What did the little black bird say?” 

“It said Ifeoluwa many time over.”

Papa Aturamumu decided the little black bird could not have spoken to him. God could not choose a man who wore old shoes as pastor. It was bad enough believing a little black bird could speak to people.

Another thought occurred to him. Ifeoluwa may have paid the boy to stage this spectacle so he could be made the pastor. Papa Aturamumu decided to keep the issue from the hearing of his fellow elders. If they did hear, Papa Aturamumu vowed to say Ifeoluwa bribed the boy to stage the charade. Having come to this decision, Papa Aturamumu left the orchard, heading for the church.

As he trudged down the street, another thought occurred to him. Pastor Barabbas preached anyone lying against the spirit got destroyed by lightning and thunder. Papa Aturamumu looked at the sky and did not see any sign of the agents of doom. Pastor Barabbas could not be telling the truth, he thought. He decided to keep quiet about the incident at the orchard.

But when he got home in the evening, a mysterious wind began to blow in the town. Papa Aturamumu heard a crash at his backyard and ran out the house. His treasured paw paw tree lay flat on the ground, blown down by the wind. As Papa Aturamumu mused about this, he felt pain pound his head and groaned. Suddenly, he felt the world spinning around him, and he crashed to the floor. As he got up, he fell against the tree as the wind buffeted him.

He ran into the house, amazed by the quick turnaround of events. What could have caused it? he asked himself. Could God be punishing him for not wanting to disclose what he heard and saw at the orchard to fellow elders. Before he answered the question, thunder crashed in the evening and he heard the sound of the turbulent wind as it buffeted the roof of his house. The wind wanted to pull it away  and fling it into the street. Papa Aturamumu quickly decided his refusal to alert the elders about the orchard episode could be responsible – spiritual issues could be so mysterious. As soon as the storm subsided a little, he ran out his house to summon an elders meeting for the next evening. 

In his sitting room twenty four hours later, the elders were in a jubilant mood. A replacement for Pastor Barabbas had been found. They did not question whether birds could talk to people.

“Okay, Papa Aturamumu, where is the boy? Let him tell us what the bird told him,” one of them said. Their eyes moved to the frightened boy, still not convinced they would not punish him for stealing mango from the orchard.

Immediately he saw him, Papa Moni frowned.

“I know this boy,” he said. “He’s fond of stealing mango in the orchard. Is he reliable?” 

Papa Aturamumu coughed and stood up. “Good talk, Elder,” he said. “I myself have seen him stealing mango many times. I didn’t believe his story until God sent thunder to blow  off my roof and I almost got killed. We must remember the spirit moves in mysterious ways. Look at Paul in the bible. The woman whom the bird told that Barabbas should be our pastor, was she not an old woman without teeth?” 

Mama Olowomeye turned to the boy.

“Boy, what did the little black bird say?”

“He kept on saying Ifeoluwa,” the boy replied.

After a little argument, the elders decided Ifeoluwa should be appointed the pastor of the church. The church members should be summoned and informed of the decision of the elders. Mention must be made the choice came after a miraculous revelation by the little black bird. It was a sign Arigidi would continue to have miracle babies. But Papa Moni raised an objection.

“What is it?” asked Papa Aturamumu, irritated.

“Pastor Ifeoluwa should be told not to wear his old shoes again.”

“Your advice is noted”

By next Sunday, the announcement was made. The elders and the congregation wore satisfied smiles on their faces. Once Ifeoluwa assumed duties, the women brought their babies to him for blessing. Madam Veronica, instead of visiting babalawos, returned to the church in the search of the fruit of the womb. Mama Benji stopped traveling in search of miracle pastors to save her baby. Mama Aturamumu suspended her trip to the baby market and decided to appeal to the new miracle pastor to persuade her husband so they could try for the tenth child. As for Papa Aturamumu, he smiled at the peace that returned to the church even though he still did not believe in miracle pastors.

Adetokunbo Abiola is a Nigerian journalist and writer. He has published LABULABU MASK, a novel (Macmillan Nigeria). He has also published in print and online magazines such as Rake Journal, BBC Focus on Africa Magazine, Flask Review, Zapata!, Liberation Lit, Sage of Consciousness Review, Africa Writer.Com , Big Pulp, the One World anthology, The November 3rd Club, Mobius – A Journal for Social Change, Tres Crow World, 5923 Quarterly, Contemporary World Literature Journal, Bicycle Review, May Day Magazine, Saraba, Pulse Literary Review and the Mainstay Press Anthology. He has stories about to be published in Wilderness House Literary Review.

An Interview with Poet Brittney Corrigan: Second Hearts, Autism, & Mother Writer Retreats

Brittney Corrigan; Photo by Serena Davidson

“Guilt Poem: Unplanned” opens with, “You didn’t want another child,” and continues to address the leap of faith mothers make each time they get pregnant—the attendant questions of sustainability: will I now also be able to nurture this new life, in addition to the one I am already nursing, raising. Can you talk to us about this dilemma, as well as the process of writing this poem?

When my sister had her first child, she described the experience of loving that child as “growing a second heart”. I think many mothers wonder, when they get pregnant for a subsequent time, how they will possibly be able to love the new child as much, or as well, as the first. For me, the fear was twofold, as my first child is on the autism spectrum. I was scared of the possibility of having another special needs child, when I was so overwhelmed by caring for the first. And I wondered, darkly, if I had a typical child, would I somehow love my first, challenging child less?

For me, these dark but nonetheless real emotions and fears are the basis for my series of parenting guilt poems. I wanted to address not the commonly discussed guilts of not wanting to play Legos for hours or feeling guilty about taking time for oneself, but rather the deeper issues of guilt that I think many parents have but are afraid or ashamed to voice. These poems are meant to open the discussion of these darker feelings of guilt, to work through them, and to come out hopeful on the other side. I have found that, even when I feel like I’m alone with these feelings, once each guilt poem is offered up to readers, I am suddenly surrounded by scores of parents saying, “Yes! I’ve felt that, too!”

When I read the line “this sibilant galaxy of two” (also from “Guilt Poem”) I knew we had to run your poetry—what a lovely stanza and line in particular. Can you talk about arriving at the star/constellation metaphor? Other metaphors since then you have landed on as crystallizing images regarding pregnancy and motherhood?

I tend to “gravitate” towards celestial metaphors in my work, whether the poems are about motherhood or other subject matter. I’m comfortable with the imagery of stars and constellations, and with the natural world, in general. In this particular poem, I enjoyed “breaking the rules” of not mixing metaphors by combining celestial and oceanic/tidal imagery. I feel that both metaphors capture the experience of motherhood – the regular rhythm of routines, the ebb and flow of emotions, and the concurrent fear and wonder of raising children. In my other poems about pregnancy and motherhood, I use imagery of the natural world throughout.

Here’s a question we never fail to enjoy asking at The Fertile Source: what impact has motherhood had on your writing life?

When I learned I was pregnant with my first child, I immediately decided that I would write one poem each week, from 4 to 40, exploring the experience of pregnancy. I wrote weeks 4 and 5, and then the exhaustion hit. I did very little writing for the rest of my pregnancy and in the first couple years of my son’s life. It was very difficult for me to make the space in my life – both literally and emotionally – to write.

When my son received his autism diagnosis, I began to write again about my experience as his mother. Poetry then became a way for me to work through the complicated issues involved in raising and loving a special needs child.

When I became pregnant with my second child, I was lucky enough to be awarded a week long residency at Soapstone, a writing retreat for women near the Oregon coast. I attended while in my second trimester, and with that renewed energy and the time away from my then 3-year old son, I worked on the autism poems as well as returning enthusiastically to the project of the week-by-week pregnancy poems.

As my children, now nearing four and eight, have grown older, I have found more and more time to return to my writing. I now greatly value any spare moment and have learned to write on demand when I have that time and to fit short writing periods into a busy schedule, since I don’t often have extended periods of time to write.

You mentioned attending the writing retreat, Soapstone. Can you tell us a bit about that retreat (we understand it is no longer running). Any reflections on that experience and words of advice to other mother writers considering escaping to writing retreats while raising children? Any other retreat venues you know of that are “mother friendly” (or what could you see retreats offering to mother writers in the future)?

Soapstone is a non-profit organization based in Portland, Oregon that supports women writers. The organization is no longer offering residencies, but I can tell you that the time I had at the retreat was an absolute gift. I was only in residence for a week during each of my three stays, but to a mother of small children, that seemed like an eternity of time. Having a space to write in a gorgeous natural setting, removed from the routines of the everyday, was invaluable.

Many of the other writing retreats and residency programs that I know about unfortunately do not offer stays of less than two weeks; in fact most are between 1-3 months. As any mother of small children knows, leaving them for even a few days can be a hardship on the family, and nearly impossible for a single mother. I would like to see more residency programs become more “mother friendly” by offering one-week stays. Eventually, I would like to apply for a residency at Hedgebrook, another retreat for women writers, but that won’t be possible until my children are much older, since the minimum stay is two weeks.

I also think it would be wonderful if local writing organizations could offer space in their own offices for “day retreats” – space that could be rented or even offered for free to mothers who are writers to come and write for a day or a few days at a time. I know that for me, it would still be valuable to be able to write for eight dedicated hours and then return to my family in the evening.

Any poetry or writings you could recommend to our readers that you consider pivotal or influential along your own writing trajectory?

The poets I love best are Naomi Shihab Nye, Sharon Olds, Joy Harjo, Deborah Digges, Mary Oliver, Dorianne Laux, Marie Howe, and Maxine Scates. In terms of poetry on the subject of motherhood, I could recommend the writing of Sharon Olds (very raw and honest), Jill Bialosky, and Sharon Kraus.

Any desire to talk about your own editorial role at Hyperlexia? Your most challenging moments/experiences? Your most rewarding?

While knowing or loving an individual with autism is becoming more and more common, it has been my experience that it’s hard to find literary-caliber poetry on the subject. It has been wonderful to be the poetry editor for a literary magazine dedicated to showcasing the best creative writing out there on the subject of autism. I have seen some truly remarkable poetry come across my desk. If your readers are interested in excellent poems about the experience of raising a child with autism, I highly recommend the work of Barbara Crooker and Rebecca Foust, among the many other talented writers published in our journal (Hyperlexia).

What are you currently working on?

As mentioned previously, my main project these days is the series of parenting guilt poems. I am also working on a series of poems about raising a child on the autism spectrum. I have completed the series of pregnancy poems, and I would eventually like to see them published in the form of a pregnancy journal for literary-minded women. I also have a handful of completed children’s picture book manuscripts that are looking for publishers. Finally, I’m working on editing my first full-length collection of poetry, which will be released in the coming year.

Brittney Corrigan’s poems have appeared in The Texas Observer, Hayden’s Ferry Review, Borderlands, The Blue Mesa Review, Oregon Review, Manzanita Quarterly, Hip Mama, Stringtown, and Many Mountains Moving, among others. She is the poetry editor for the online literary journal Hyperlexia and lives in Portland, Oregon with her husband and two children. To read more of Brittney’s work, visit her website; links to her poetry on-line may be accessed here.

Brittney Corrigan: Three Poems

Guilt Poem: Unplanned

You didn’t want another child.
How you wept, how you weighed,
in those first undertow hours,
what you never before imagined.
You looked up the addresses
of clinics, your hand wavering
between belly and phone.
How such a faint, unformed thing
could ambush you so. Utterly
ensnare you. Knock you
sputtering into the deep.

You were already sinking.
Your boy—your difficult, discordant
child—took all you could gather
of yourself just to make it
from one end of the day to the other.
Where was there room in these riddled,
sapped hours for anything, anyone
else? Where was there room
in your heart, already compressing
with the weight of the descent? And, too,
the fear that blackened you when it rose,
would crush you if you spoke it:
what if this child was fractious as the first?

Everything you’d done up to now
was mustered from love.
You learned to assemble when
he crumbled. Shifted your orbit
to accommodate each essential,
rigid routine. You re-centered
your world to plunge into his.
Accepted the peculiar, unruly shimmer
of his being even as you wished
darkly for an easier child.

So you could not summon wonderment
or joy, feared this new child, insistent
and blazing, would sense how you felt
in the long, anxious months.
And what should you do with this
even more terrible thought that a second,
less arduous child might tamp
your love for the first? You could feel
yourself fragmenting, space debris
left circling in the black.

But with each tide your dark thoughts
were coaxed back to the depths.
As she grew and fluttered and spun,
so you grew to yearn for her coming,
urgent want flooding your bones.
It flattens you to think about now,
how she might not have been. She emerged
smiling, open-eyed and bright and necessary.

It is as if some otherworldly visitor,
sent with a message, decided to stay.
Something luminescent about her,
a glowing specimen feathering the deep.
How everything alters: your axis,
the revolving, the dizzy spin. How you
understand now the need for constellations,
the pull to make connections between stars.
They will keep each other, these satellites,
this sibilant galaxy of two.

Now the universe has two centers.
Or something like the balance of water
and air. Your world is no less difficult
for the changing. Still you dip and tread,
splay ragged at the leaving of the day.
But now you are a two-mooned
planet, spinning as they chase you
through expanding sky. Sometimes
they are too brilliant to look upon.
Sometimes they are reflected in your eyes.

16 Weeks

Waiting for the quickening, those little
knocks and bumps, a new rendering

of Morse code, our own body
language. You’re learning to control

those opalescent limbs. Little
dragonfly, my hummingbird, you hover

at my center, looking for the place
to wingbeat your first hello.

38 weeks

You are gaining an ounce a day
now, little person, growing creases

in your skin like fine folds
of cloth. My belly tightens around

you in preparation for your birth,
making me stand still, hold my hands

over your upturned limbs. Even now,
when I can’t wait to meet you, my whole

body holds you in, holds you tightly,
is reluctant to let you go.

Brittney Corrigan’s poems have appeared in The Texas Observer, Hayden’s Ferry Review, Borderlands, The Blue Mesa Review, Oregon Review, Manzanita Quarterly, Hip Mama, Stringtown, and Many Mountains Moving, among others. She is the poetry editor for the online literary journal Hyperlexia and lives in Portland, Oregon with her husband and two children. To read more of Brittney’s work, visit her website; links to her poetry on-line may be accessed here.

The Truth Behind The Secret “Infertility”: A Personal Diary Of My Journey To Motherhood

Nonfiction by Fran Meadows

 

1. I finally convinced myself that my husband and I had to see a specialist.  Scary, but the reality these days is infertility is the new cancer.  It’s not openly spoken about but it’s reality for some.  Infertility back in the 80’s was like a sin, but now in the new millennium it’s like a secret sin, accepted a little more but still not talked about.  It’s as if you have a profanity written on your forehead, walking around, and everybody stares. 

2. I would put the sample in a sterile cup, label it and put it in a brown lunch bag.  I would drive to the doctor’s with it in between my legs to keep it warm.  I would be freaked out on those mornings, trying to get it on, get ready, get the sample, clean up, get dressed and go!  I would pray not to hit traffic or get pulled over with a warm sperm sample in between my legs. “Sorry, officer, I was speeding to get this sperm sample to the doctor’s office to get it injected into my vagina today in the hopes of becoming pregnant!” 

3. During three failed cycles [of infertility treatment], we both tried to be positive, but it was hard.  I was becoming obsessed with wanting to get pregnant.  After each cycle, I would even think I was pregnant by saying, “Hmmm…I think I feel sick or fat or something” to make me believe I was going to be pregnant this month.

4. I never imagined how many things could cause infertility and became more and more frustrated. After having three failed IUI (intrauterine insemination) cycles, the doctors were telling us that the cause of our infertility was unknown.  There were some factors that could be contributing to infertility, like my husband had low sperm levels; I had cervical polyps that might be blocking the flow of the sperm, even though the polyps were removed and all tests showed my tubes were clear.  They also found out that I had a thyroid condition that needed to be maintained.   I had no idea of this until I started going for treatments.  Apparently these things had something to do with getting pregnant, too.  I began taking Synthroid for my hypothyroid condition…and we now moved on to the next step in medication.

5. Prior to beginning my IVF cycle, I had to participate in an injection class to teach me how to give injections. I felt like I was in a junkie class instead of a class to assist in making a baby.  The nurses helped me understand how to draw up the medicines, mix them if necessary, and inject.  We injected needles on dummy skin like props. 

6. We kept going strong and never quit.  I was quite shocked that my husband worked together with me on this.  I thought for sure he would have said, “Forget it, this is not working,” and give up.  Sometimes I wanted to give up but felt that we got this far with failed cycles…there had to be one good cycle coming.  We would never know if we quit now. 

7. The pregnancy test was just a simple blood test, nothing more.  I went in very positive.  I felt good about the day.  I gave my blood and they wished me good luck.  The nurse called me that day.  I didn’t want to answer my cell phone since I was at work, so I let the message go to voicemail.  I listened to the voicemail by myself on my way home from work.  You could tell by the voice what the outcome was.  Not pregnant!  I remember pulling over, crying hysterically, and then composing myself to go home and tell my husband. During this time of uncertainty for us, many people became pregnant, including my dog….  Some people put absolutely no effort into trying, just spread their legs and they’re pregnant…served on a silver platter.  Good for them, sucks for me!  I wished that silver platter would be there for me.  Every time a pregnancy announcement was made I would break down inside.  I became numb to the announcements.  It’s not that I wasn’t happy for the person; it was that it just made my situation more painful.  

8. “When are you having a baby?”  I would smile, grit my teeth and mumble to myself.  I just wanted them to stop asking and mind their own business.  Didn’t they get it?  Then, “When the time is right,” would come out of my mouth with a giggle. What if I said, “We are having some problems. What business is it of yours?” It probably would have worked, but I went with the quick answer, and I knew that answer would be rude.  I got through many of those parties and then went home and cried. 

Fran Meadows has written a book about her journey with infertility. She lives in Queens, New York. You can visit her website to find out more about her story and her book.

The Power of Domestic Realism, Male Protaginists, and The Dual Degree: Mills and Motherhood with Writer Ethel Rohan

author headshot Ethel Rohan

Ethel Rohan

As a female reader, I find your short stories intimately rewarding because of a dual ferocity of vulnerability and strength that comes across in many of your main characters. Discussing your short story, “Gone” (published here  on The Fertile Source) in a recent Lit Pub dialogue (view full conversation here), you write, “I’ve never had cancer or a mastectomy or hysterectomy — so why would I tell this story? Once I realized I was telling this story because I “knew” the body butchered of its sexuality, I became convinced this was a story personally worth telling.” Can you talk more about your writing process—specifically, taking on the storyline of something you haven’t directly experienced, but certainly had enough parallel experience to ignite your writer’s will to formulate the finished story (as was the case with “Gone”)?

What a great question, thank you. I’m so glad you see both the vulnerability and strength of my main characters. My stories want to be about women who struggle and suffer. It’s an honor and privilege to give such women a voice and center-stage. Victims and survivors deserve to have their stories told. Unfortunately, there’s a pervasive sense that stories around women’s struggles and suffering are done to death and are irrelevant. I couldn’t disagree more. The challenge is to tell women’s stories in new and compelling ways so that readers cannot look away. The impulse to look away from suffering and the disturbing in life and in literature frustrates me. If we keep looking away, how can we ever hope to alleviate suffering, end abuse, persecution, and inequalities, and bring about positive change.

 Frankly, I try not to over-think my process. My stories are always character-driven and can be ignited by even the tiniest of phrases or observations. I’ll overhear a conversation on the bus or see something on the street and for reasons both known and unknown the words or image stay and give birth to another story. I don’t plot or plan my stories, ever, and I’m always so surprised and grateful to arrive at the finished work—something out of nothing, if you will.

 I no longer concern myself with worries regarding what stories I can or can’t tell. If I find a character and his or her story compelling I trust that sense of purpose and meaning and write down the words. Many of my stories, my earlier stories in particular, have male protagonists. This is also true of the novel manuscript I just finished. I think such writing impulses are for me an attempt, above all else, to better understand the opposite gender. As strange as it might sound, I also think my fascination with male protagonists ties into my devotion to women’s issues. I read and write fiction to know myself and others ever better and in that greater understanding of, and empathy for, what it is to be woman, man, and humankind lies the potential to end suffering.

 Along equally ferocious and illuminating leylines, your work dials deep into the heart of male/female relationships. Where do you see your writer’s obsessions/interests in this area, and which of the stories you’ve written surprised you the most (for where they arrived)? Any areas of that relationship (male/female) you see drawing your interest in the future?

 My parents’ marriage is the male/female relationship that has had the most profound affect on me, that and a five-year relationship with an abusive boyfriend. Thus far, my writing obsessions around male/female relationships center on bad marriages and domestic realism. My attempts at telling stories around abusive relationships have thus far been unsuccessful. I don’t seem to have the perspective yet to tell these stories well, but I will someday. Again, every story surprises me for where it arrives. I’m constantly amazed by the stories that come out of me and ever eager to know what other stories I have inside me waiting to get out.

Can you talk to us about The Good Men Project , how you became involved with them, and how you see your work in the context of their mission ?

 Matt Salesses is the fiction editor of The Good Men Project Magazine. Matt and I have a couple of things in common: We’re both winners of PANK’s 2010 Little Books contest and both have the same literary agent, Terra Chalberg. Matt was kind enough to blurb my PANK Little Book, Hard to Say, and thereafter invited me to submit a story for The Good Men Project. Matt rejected the first story I submitted saying, “I miss the rawness of the stories in Hard to Say.” The second story I submitted, Matt cut much of the writing and murdered many of my ‘darlings.’ The story is better for his editing though and I’m deeply grateful. As a writer, I’m a forever student.

 I’ve read and enjoyed many of the articles and stories in The Good Men Project Magazine since its inception and love the writers and work it publishes. I’m honored to contribute to the magazine and look forward to my story, “Out of the Wreckage,” which is now live on the site: http://goodmenproject.com/featured-content/out-of-the-wreckage/.

 This excerpt is taken direct from The Good Men Project site and gives a good sense of who and what they are:

 “Recognizing changing roles in work and family life—and the absence of thoughtful media aimed at men—the Good Men Project Magazine set out to revolutionize what a men’s magazine can be. When we launched in June 2010 the response was immediate: “The Good Men Project Magazine will make you rethink the idea of a men’s magazine,” the press raved. Finally, “a cerebral, new media alternative” to glossy men’s magazines was born, offering a glimpse of “what enlightened masculinity might look like in the 21st century.”

 The Good Men Project began in 2009 as an anthology and documentary film featuring men’s stories about the defining moments in their lives. The goal was to foster a much-needed cultural conversation about manhood, and to support organizations that help at-risk boys. The Good Men Project has since grown into a thriving cross-platform media company, with the Good Men Project Magazine as its flagship and online hub.”

 You can read more about The Good Men Project here.

 Because we love to explore the topics of fertility, birth and pregnancy here at The Fertile Source, I wondered if you could talk to us about your relationship to writing before motherhood, as affected by pregnancy, and how your writing changes or has changed in the aftermath ensuing motherhood?

 I had just resigned from my job as personal assistant to a billionaire partner in a mergers and acquisitions firm and entered Mills College to at last gain a degree in English and Creative Writing when I discovered I was pregnant on our first daughter. After a moment’s pang of ‘oophs,’ my husband and I rejoiced in the news. My pregnancy wasn’t an obstacle to my writing and BA, but the realization of two dreams at once. It was also a time of two terrible and similar fears: What if I would fail as a writer? What if I would fail as a mother?     

 Pregnancy and giving birth to my daughter made me very aware of mortality and the passage of time. I realized I needed to stop procrastinating and just ‘do.’ It was difficult, almost impossible, to juggle motherhood, my studies and writing stories, but I never felt so motivated and rewarded. I had birthed a daughter and finally knew beyond all doubts and misgivings that I wanted to dedicate my life to her and to birthing stories.

 The beauty now of having two daughters and knowing that my family stops here is a deepening of my commitment to women’s issues both in my life and in my work. I’m a better person and a better writer because of my daughters. Because of them, I’ve come to know a depth and intensity of love I’d never experienced before. My daughters fill me with gladness and joy.   

 Any words of advice to other mother writers?

 My writing life only became routine and truly manageable when my youngest daughter started kindergarten. Since then, I dedicate at least six solid hours of my day to writing and the writing life and I’ve a lot of work both published and unpublished to show for that time. There are days I become overwhelmed and I admit I lose sight of what’s important and real. My daughters are all too familiar with the term “deadlines.” However, they also know they are my number one priority always and that the writing is secondary. The years pass quickly. Our daughters are already twelve and nine. I would say to other mother writers to simply do your best at both. Show up every day as a mother and a writer, but prioritize. At the end of my days, in a decision between holding my favorite books and holding my children, I know what I’d choose.  

 How does the mother/daughter dynamic figure into your work (forwards and backwards in time, with one’s own mother, and one’s daughters extending before one)? Are there further psychological aspects of that relationship you wish to explore as a writer?

 The thrust of my work centers on loss and absences and harks back to my mother. When I was a girl, I lost my mother to mental illness and she never fully recovered. My mother both fuels and haunts my imagination and much of my grief and sense of abandonment around her comes out in my stories. For a long time, I resisted mother/daughter stories, largely because they were painful, seemed repetitive and I didn’t have enough perspective to tell them well. Now I trust my voice and writing urges more and tell the stories that compel me and that I believe I can write well, regardless of content. If I’m condemned to tell mother/daughter stories for the rest of my days so be it, as long as they are stories that readers find worthwhile and meaningful.

 And for fun, can you talk to us about your cultural heritage—when you came to the states, how your writing life has been affected/blessed/challenged by your international lifestyle?

 I have lived in San Francisco for almost two decades and love my life here. America gave me a new beginning and a second chance at life and I’m deeply grateful. That said, I remain Irish at my core and love my homeland. My husband is also Irish and we return to Ireland every summer to visit family and friends. Our daughters love Ireland and beg us to move back there to live. It’s difficult for them to understand how different it is to visit a country versus live there. I’m sometimes sad for our daughters because they have no family here, none whatsoever. But we have terrific friends and a great neighborhood and community. I’m glad to have been born and raised in Ireland and glad to have moved to San Francisco where I can reap and enjoy the best of both cultures.

 Finally, any works in process—ie., your novel, etc., you’d like to tantalize us with a bit?

 I’m about to send my novel manuscript to my agent, Terra Chalberg. The novel is tentatively titled KISSES WITH TEETH and is set in Ireland in 1980 and centers on the Flynn family and in particular Gavin Flynn, a middle-aged, working-class Dublin City bus driver and his various demons.

Cut Through The Bone book cover by Ethel Rohan

by Ethel Rohan

Ethel Rohan is the author of Hard to Say, PANK, 2011 and Cut Through the Bone, Dark Sky Books, 2010, the latter named a 2010 Notable Story Collection by The Story Prize. Her work has or will appear in The Good Men Project, The Chattahoochee Review, Los Angeles Review, Potomac Review and Southeast Review Online among many others. She earned her MFA in fiction from Mills College, California. Raised in Dublin, Ireland, Ethel Rohan is now a resident of San Francisco, California. Visit her at ethelrohan.com  to read her most recent work.

Gone

Fiction by Ethel Rohan

         My fingers traced the diagonal scars that ran from my armpits and across the memory of my breasts, the stitches long dissolved and the red, angry skin faded to pink. My other hand moved to my stomach and traveled up and down its long vertical scar, this one more purplish than pink. All the scars dry and flaky. Fish spines.

          I listened to the birdsong outside my bedroom window and decided to put off going to the hospital until the afternoon. I was no longer a patient, but sometimes returned to volunteer. I liked to hold the babies that didn’t have visitors, to breathe in their freshness and sing them to smiles. I had my first Friday off in months from the diner and felt glad to be free of the customers’ small-talk, of their complaints and ogles. One thing I was never free of was the diner’s deep-fried air. It hung all around me and wouldn’t wash away. Still, I liked my job well enough and could do it robot-like while I day-dreamed. Jason, a handsome, square-jawed, blue-eyed regular who wasn’t coy about his wish to have me on the menu, would be disappointed by my absence. I smiled into my pillow. Sometimes, while I carried the trays and wiped down the tables, I fantasized about Jason and me going out together, to a movie or a nice restaurant. I wouldn’t let myself think beyond that. I couldn’t imagine the two of us alone together.

            My neighbor’s colicky baby wailed. Their back door smacked closed. I moved from my warm bed to the window. My neighbor stood in her dark pajamas and bare feet in the grass, her hands on her hips and dark head turned up to the sky. I tried to remember her name. The baby’s cries climbed and my neighbor’s hands covered her ears. Months back, her husband had deployed to Iraq. He had yet to meet his son. She was always polite, but distant, and seemed to want to keep to herself. That suited me. In addition to the fussy newborn, she had two little girls. Her name came to me, Nancy. I dressed quickly, tried not to look at my too-big bed.

            Just as I reached my front door, the kitchen phone shrilled. It was likely my dad, and if I didn’t answer, he’d worry. It turned out to be Jason. His voice sent me bobbing in warm, shiny water. He had bribed the new busboy for my number, said he never again wanted to have breakfast without me. He’d never had breakfast with me, I corrected, just delivered by me. The sneaky, small-eyed busboy had also given him my address. Jason asked to come over. I warned him not to dare. He chuckled. I pictured his thick, shiny-with-maple-syrup lips and again felt a rush of pleasure.

          “I want to show you my latest drawing,” he said.

          The next door baby continued to cry. “I have to go, seriously.”

          “I drew you.”

          My insides recoiled, and I rushed the receiver down.

          Jason sometimes brought his sketches to the diner, mostly of hawks, trees, the ocean, and everyday people. Gifted, he managed to bring out in his subjects something I’d never have noticed: the hawks’ intelligent eyes and the blue in their black talons; green leaves so smooth, shiny, and thick I wanted to pet them; and emotions in people’s faces that lifted right off the page. He was gifted, yes, but he’d no right to draw me without my permission, to take from me like that.

          I walked along the side of Nancy’s house and called out over her wooden fence. The baby wailed. Moments later, Nancy pulled open her front door. She stood tall and thin and appeared ill. Her face was pale, and she had greenish circles under her eyes. Her long gray-black hair was messed and unwashed. I tried not to react to her body odor, and followed the baby’s cries upstairs. The unclean smell pervaded the house and yet everything, the carpet, wallpaper, and furnishings, looked washed-out. There was also the smell of burnt toast.

          The baby lay on his side in his crib, his face a dangerous red. His eyes were scrunched shut and his mouth was open wide. His colorless fingers gripped the bars on his crib, and I had to peel the spongy digits free. I lifted him, and he roared. I hugged him to my shoulder and shushed at his damp ear. Nancy apologized, explained. She had tried everything. I urged her to take a shower and to nap. I would stay. Nancy protested. She couldn’t, she shouldn’t. I insisted. His mother gone, the baby kicked his legs inside his yellow pajamas and jerked his fists. He cried harder. His large bald head pushed and rooted at my prosthetic bra and his greedy grunts turned frantic. I had only my baby finger to offer. The force of his suck hurt and frightened me, could rip my finger right off.

          I carried him outside to the garden, the sky boy-blue and the sun hidden behind clouds. The cool breeze startled him into silence. I bounced him in my arms and praised and cooed. He started-up again. I sang to him, soft and low. Overhead, the plovers circled and seemed to listen, to sing back. The baby quieted and closed his eyes. We returned inside. I cradled him in his rocking chair and breathed-in his sweet-and-sour milky smell. My thoughts returned to Jason. I wondered how he’d drawn me.

          For sure, at thirty-two, he would never have depicted me as scarred, breastless, and barren. I had chosen to hedge my bets and allowed the surgeons to get ahead of the white spots in my breasts and lymph nodes, to cut away at me.

          On the street, a car slowed and stopped. Its door closed. I held the baby and my breath and strained to hear.

          Jason waited on my front porch for over an hour. Twice, I’d signaled from the baby’s window and indicated he should go. He waved away my gestures and leaned back against my front door, his black artist’s case by his hip. I left Nancy recharged and her baby still asleep. At the end of her front path, I almost turned left instead of right, but pressed on to my house and Jason. His easy smile almost made me bolt. He wore faded, ripped jeans and a tight red t-shirt. Red, despite everything, was still my favorite color. We sat on the barstools at my messy kitchen island, there junk mail and other bits of me scattered about. I wished everything was more in order.

          I followed his gaze to the reproduction Frida Kahlo on the opposite wall. He scrutinized Kahlo’s naked breasts, open torso, shattered spine, body harness, and the nails that punctured her flesh. He turned back to me with an uncertain smile. I offered coffee, but he refused. His attention turned to the single pine chair at my tiny kitchen table. I’d put its mate in the garage. He reached for his artist’s case. I jumped at the coffeemaker.

          I put a mug of steaming coffee in front of him, and told him about the baby next door, the babies in the hospital. In the end, I was the one who reached for his portfolio. He’d captured me in profile, as I scribbled a customer’s order, the obligatory smile on my face. My dark hair was tied up and its loose strands caught behind my ear, curling toward my throat. My prosthetic breasts pushed against my pink uniform, smaller than my real breasts. He’d shaded my face, trapped me in shadow.

          I pushed the drawing aside. “It’s not me.”

          He looked from me to the drawing and back again, perplexed.

          I reappeared in the kitchen, my shirt and bra removed and the black camisole clinging to my small boy chest. I dropped my hands to my sides. He searched my face, swallowing. I told him how much was gone. He held my gaze.

          “You want to try again?” I asked, my face hot.

          He nodded. I tried to slow my breath, to stop shaking. He moved the pine chair to the window. Seated, the sun warmed my head and shoulder. I peeled off the camisole and dropped it to the floor. I looked straight at him. His pencil danced over the paper.

Ethel Rohan is the author of Hard to Say, PANK, 2011 and Cut Through the Bone, Dark Sky Books, 2010, the latter named a 2010 Notable Story Collection by The Story Prize. Her work has or will appear in The Good Men Project, The Chattahoochee Review, Los Angeles Review, Potomac Review and Southeast Review Online among many others. She earned her MFA in fiction from Mills College, California. Raised in Dublin, Ireland, Ethel Rohan is now a resident of San Francisco, California. Visit her at ethelrohan.com  and read her most recent work here.

Rohan’s “Gone” was featured in this post and lively discussion (replete with additional story and poem suggestions for further reading) here at The Lit Pub.

The Mystery and The Mess: Motherlines and Motherless Women with Poet Andrea O’Brien

photo of poet Andrea O'Brien

Poet Andrea O'Brien

 

In “Child Who Haunts My Womb,” (published earlier on The Fertile Souce here) the speaker in the poem states: I have too much religion / and not enough God in me / to make a right decision regarding carrying a child to term and raising a child. I love how this line highlights that religion (when one is young) might fill one with a sense of  what is “right” while the possibility of bringing a child into the world (when one begins to mature and face adulthood) might call for a more visceral, internal prompting from the God of one’s body. Can you talk to us about this dilemma?

It seems to me we are taught to put the mind above the body, that logic trumps the bodily experience. In many religions, the body’s temporal existence results in it being viewed as less significant than the mind and spirit. What I seek, in this poem and in general, is wholeness—a unity of the mind-body-spirit connection. Maybe it is more particular to the female experience, but for me, the body cannot be separated from the person. We live in a physical world; why would we not expect to find the spiritual in the physical?

By day, I’m a technical writer so I often approach the world—even poems—in a logical, procedural way. But there’s another part of me—the poet self, I suppose—who resists this order and wants to live in the mystery and mess of the world, knowing there are not always answers to the questions.

There’s also a beautiful vulnerability portrayed in the relationship between mother and daughter, as that daughter turns to face motherhood herself, and finds she still needs her own mother: I am still a child / really, always fleeing, / asking, and needing: / how to clean silver, / how to check / transmission fluid…Can you talk about writing this poem and how you decided which aspects of the mother /daughter relationship to include?

I imagine all women continue to need their mothers throughout their lives to some extent, but this is especially true for women who have lost their mothers at a young age. We—and I’m taking a leap speaking for all motherless women—understand loss much earlier in life and experience successive loss, even small losses, as a form of abandonment. I wanted to convey the longing, and the intense need, through the memories of what once was, as well as through the description of what is left unfulfilled.

The motherline is strong; it’s how a woman learns about being a woman—through story, through example—and when that is cut, a woman may feel adrift. The reference point has become a memory.

Maybe that is one reason The Fertile Source is such a valuable resource. It is a place for stories—for a specific type of story—that one can use as a touch point (ah, this is how one person experienced childbirth, and this is how someone else experienced miscarriage).

There’s a difficult backdrop presented in “Child Who Haunts My Womb “as well: the speaker’s mother grappling with illness. Can you talk about the process of writing about such a poignant threshold (birth and death simultaneously) in this poem?

I love exploring the paradoxical in poems and using the structure of a poem to bring opposites into play. From my limited experiences, it seems we have become more and more isolated from death (and birth!). But in nature, we can see all the time how connected birth and death really are. One life ending becomes the fertile ground for a new one. That doesn’t make dying easier to accept. But with passing of time and practicing her craft and a little bit of luck, a writer might transform the stuff of life into art.

Any writing mentors you’d like to share with us?

Too many to name! Early on, at the University of Wisconsin-Milwaukee, Marilyn Taylor, who has since represented the Badger state as poet laureate, was extremely influential. She introduced me to contemporary formal poetry. Even though I write a great deal of my poems as free-verse or semi-formal, I love how writing in form is unexpectedly freeing. Leaning into the structure of a form leads to surprises in subject and language that would not evolve otherwise.

More recently, I am indebted to Leatha Kendrick, whose guidance helped my writing break open in new ways after a long stagnant period. Both Marilyn and Leatha have the unique combination of being both brilliant writers and passionate, devoted teachers.

I have moved around a bit over the years and have found a number of places that celebrate writing: The Loft in Minneapolis, The Carnegie Center for Literacy and Learning in Lexington, KY, The Lighthouse in Denver. Writing may be a solitary event, but the communal aspect can’t be ignored. Across the many states I’ve moved, I have been fortunate to have worked with many excellent poets and writers.

Can you tell us about your first poetry collection (it’s subjects and themes)?

 My first manuscript, which includes “Child Who Haunts My Womb,” shares many of the themes and images found in the poem (mother loss, family lines and legacies, religion versus spirituality). A number of the poems developed out of the story of my mother’s life with and death from cancer.

And your second, forthcoming collection?

 The second manuscript is still evolving, but it carries forward from the first collection. I would say the poems have become less narrative. Also, the writing seems lighter and more playful, especially in terms of form. Some things I am exploring include ekphrasis (writing poems in response to art work, which I’ve also extended to include ballets); writing two distinct poems driven from the same image or moment; and relaxing the boundaries of a formal poem. 

Other projects in the wings?

 Working full-time often means it is difficult to make the time or energy for writing, but I always have a list of things I’m writing or wanting to write. Foremost, I am eager to finish the second collection of poems. There’s also a little bug that gets me to try my hand writing fiction every few months, so I will continue to follow where that leads.

 As mentioned earlier, I love working from prompts or within a form, which liberates the writing process, perhaps because it takes some of the pressure off when faced with a blank page. I’m always surprised to see what surfaces when responding to a prompt or form. Certainly, the subject has been on my mind; it just develops in a different way.

Andrea O’Brien’s poetry has appeared or is forthcoming in various publications, including The Hopkins Review, Connecticut Review, Nimrod International Journal, and The New York Quarterly. In 2007, the Kentucky Foundation for Women awarded Andrea an Artist Enrichment grant to begin writing her second collection of poems. She lives in Denver with her husband and works as a writer and editor.

Mothers torn: A Book Review

A book review by Jessica Powers

 Torn: True Stories of Kids, Career & The Conflict of Modern Motherhood

Edited by Samantha Parent Walravens

Coffeetown Press, 2011, $18.95, 270 pp.

I had a baby boy, my first, seven and a half months ago. For years before he was born, I intentionally put myself on what might be called the “artist track” in regards to my career. As a writer, I felt like it was more important for me to aggressively pursue my writing than to pursue a job with promotions, advancements, salary raises, and titles. As a result, of course, I’ve never earned what I “deserve” to earn. Writers earn jack, let’s put it that way, for at least a very long time and, possibly, forever. We live for publication. This devil’s bargain has its problems: publication is never a sure bet, and just because a book gets published is no guarantee that it’ll sell well.

 Meanwhile, my friends have started professional careers or gone on to full-time motherhood. The fact that I was in a netherworld of “neither here nor there”—a professional without the salary or title to accompany it—has never bothered me; in fact, I felt rather fortunate that long before I had children, I had negotiated extremely flexible work that I could do entirely from home without ever going into the office. I teach online college writing classes as an adjunct professor, do part-time editorial and publicity work for an independent publishing company, run a small literary press of my own, and write books and articles. Yes, I’m a workaholic.  But juggling these many roles has helped pay the bills and made me feel like I was always keeping my career options open even while I jumpstarted my writing career and then tried to keep the engine going. “If something goes wrong and we need the money,” I always told myself, “I could start applying for tenure-track positions or editorial positions.”

When my husband and I decided it was time to start a family, I happily told everyone that I had the perfect setup. “I’ll still work,” I said (subtext: we need my salary), “but I won’t have to put my baby in daycare” (subtext: we can’t afford it anyway). My dean was happy to still give me classes, my writing career was on track (I signed my second book contract when I was only three months pregnant), and I had more than enough work, even if it didn’t pay very well, from clients happy to have me work at home. Everybody agreed I was lucky and nobody told me just how hard it would be, because nobody I knew had ever done what I am trying to do. The working women I know have all needed to put their children in daycare; the stay-at-home moms I know aren’t trying to earn a living. 

I am going to be honest and blunt here and say that it is definitely possible to do what I’m doing (I’m doing it, after all) but it is very hard, I am very tired, and I am assailed with guilt on all sides that I am not doing the very best job I can do in any of my roles: writer, editor, teacher, mother, and wife.

 In short, I feel torn. 

I can’t tell you how grateful I was to pick up Torn: True Stories of Kids, Career, and the Conflict of Modern Motherhood. I devoured the essays in this collection hungrily, seeking comfort from other women who all seem to feel remarkably just as I do, whether they are full-time mommies, juggling a career (part or full time) and motherhood, or (much more rarely) trying to work from home while being a full-time mother as well. I needed to know I wasn’t alone in the guilt. I needed to know that women who choose full-time motherhood or full-time careers struggle just as much as I do, that it is never an “either/or and now we’re done with it” decision. I needed to know that other women had experienced what I have: what felt like a flexible and perfect way to pay the bills while pursuing my writing career when I was childless now feels suspiciously like I’m being mommy tracked. Those career opportunities I knew were always going to be there may not be there in five or ten years if I keep doing what I’m doing. (Though, as always the dreamer, I just assume my writing career by then will be bringing in the big bucks and I won’t need those other careers that aren’t there anyway.)

But, now that I’m home with my child, I can’t imagine putting him in daycare. Recently, for example, I turned down a job interview for a full-time tenure track position as a professor of history. I told my husband I turned it down because I did the math. Once we paid for childcare, a new car, and a professional wardrobe, I’d be making less than what I currently make at home while being a full-time mother. So why be stressed with getting a child to daycare on time to get to work on time and what about when he’s sick and who takes the hit to their career to deal with sick child etc etc etc and so on and so forth? All that is true and if it hadn’t been true, I might have felt enough internal pressure to go to the interview and then, if I’d gotten the job, to take it. But the real reason I turned down the opportunity is because I looked at my little guy and realized I couldn’t do it to him. I couldn’t put him in a daycare where, as contributor Alexandra Bradner writes, the caregiver to child ratio is 1 to 6 and children “roam blankly about these toxic-foam-matted rooms, swatting at each other, consuming ‘health’ bars and juices built out of refined sugars and modified starches, looking at garish plastic toys without knowing how to play with them, and waiting for their heavy diapers to be changed. Their energy is unchanneled, their vocabularies underdeveloped, and their cognitive potential untapped. Instead of being frustrated with all the ways in which so many new constraints are chipping away at their identities, they’re prevented from forming any true identity but that of the generic company kid. And we stand back, mystified that verbal skills and creativity are on the decline while obesity and school violence are on the rise” (114).

 This is not to say I judge women who do put their children in daycare. I know that a parent’s love is the most important thing and there are some great daycares out there. I have several nieces and a nephew who have adjusted just fine and are receiving excellent care. So I could nod my head in agreement with the contributor who defensively said daycare clearly hadn’t hurt her son, he’d gone on to Princeton University after all.  And I felt sympathetic pains, along with an empathetic panic, with the contributor who now regrets her choice to stay at home with her children. Divorced now and barely employable due to her many years at home, she is kept awake at night wondering how she is going to survive financially and whether “retirement” is a word she will ever be able to contemplate. And yet, I was relieved by the contributor who quoted Gloria Steinem as saying that success is not doing it all, that in fact “this idea of doing it all is actually the ‘enemy of equality, not the path to it’” (82). I can’t do it all. But I’m still trying!

 What is a woman to do? There is no one answer to that question.

What I love most about this collection is that the editor does not try to reconcile the disparate and often conflicting emotions that the contributors express or decisions they make and, subsequently, defend. By making this editorial choice, Walravens seems to suggest that it doesn’t matter what a woman does—doubts will follow her no matter what. Although the quality of the essays was uneven, the collection contained many gems and insights. And most importantly, it made me feel like I wasn’t alone. Reading these essays made me feel like I was connecting with women everywhere, rejoicing in success, sadly contemplating failure, and sympathetically encountering and recounting the frustrations and joys of motherhood in the modern world. Highly recommended reading for all mothers.




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